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Thanks for the Dough, Captivity, but, uhm . . .

by Amelia G : July 22nd, 2007

Elisha Cuthbert Captivity

It’s kind of funny that I love love love the aesthetic of the new Captivity movie, yet I’m kinda not cool with the subject matter. I’m not too comfortable with it being censored either, though.

I know people have been complaining, since before I was born, about violence in movies being okay, while sexuality is censored. But I have to say, why is it that if someone puts their cock in a beautiful woman’s mouth, the movie is probably going to get an X and thus limited distro and thus limited financing and production values? But dismember the same woman slowly and the discussion becomes R or NC-17? Is it really okay to broadcast horrors, the likes of which most people will never ever see in person, to seventeen-year-olds, but healthy sexuality, of a sort most people will experience, takes another year of maturing for audiences to be able to handle it? What kind of a society are we going to have when we show teenagers torture porn like Hostel before we let them see, if you can forgive me for invoking normalcy, normal sex?

Full disclosure: Obviously, you all can’t have missed the advertisements Captivity bought on a number sites I work on, including this one. And, yes, if you went to the premiere party at Los Angeles meat market Privilege, you probably spotted around half a dozen hotties you recognized from BlueBlood.com, along with various other contributors.

It bums me out, on a number of levels, that the premiere party was billed as ground-breakingly outrageous and nasty. This seems to show a simultaneous lack of respect for the performers and desire to profit from them. Although the cigarette smoke-stained off-white interior of Privilege generally plays host to …

I Love Stodgy Bankers

by Amelia G : July 25th, 2006

Shortly after I first moved to California, I got an account at Washington Mutual. I went with them because they had a no interest/no fees/no math/no hassle account and they gave me overdraft protection. I’ve banked with them for a long time, but it appears that one of their goals for this year is to get rid of all their long-time customers.

March 13, 2006, they launched a media blitz campaign which is theoretically about how opposed to traditional stodgy bankers they are. The television spots and billboards show paid-looking guys in pinstriped suits chomping cigars and being penned up in what is apparently WaMu’s basement. The ad campaign is designed by advertising powerhouse Leo Burnett and directed by Martin Granger, of the Moxie Pictures production company, who is also apparently responsible for the creepy Burger King ads. The main thrust of the supposedly humorous spots is, according to a Business Wire press release, intended to point out how non-traditional WaMu is in the normally stodgy banking world. This is just my opinion, but it strikes me that the message comunicated is that only losers bank at WaMu, that people with any clue how to handle their dough put it some place else.

I’d like to say that there are many areas of my life where I follow the excitement. I want to hang out with people who take risks and look for adventure. But I don’t necessarily want them handling my dough. Think about who you would most like to go on a bender with in Vegas. Now imagine that person holding all of your money. Doesn’t exactly give you the FDIC-insured warm fuzzies, does it?

Now it might be humiliating to pull out the loser-branded bank card when shopping in …

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