Edit: I was just feeling glum because someone I respect wrote something I wish were true, which I do not believe is true. I don’t feel like I was able to fully express my thoughts on this.

Full disclosure: Bing is an advertiser on this site, yet BlueBlood.net does not on the first dozen pages of search results for a search on Blue Blood. SEO stands for search engine optimization. SEO is internet professional lingo for the process by which someone expert in this area would attempt to fix Bing’s search results so they would no longer be defective in this regard.

I’ve been really bummed out all day because of something Derek Powazek wrote. (Also, I made the mistake of watching this week’s brilliant but melancholy Mad Men on TiVo to snap myself out of it. Doh.) Halcyon first turned me on to Derek Powazek’s writing. Derek Powazek tends to write useful articles about how to make good web sites. He has an engaging style and manages to speak clear tech talk. I think we shook hands once at an event, but we do not know each other; I’m just a fan.

Entertainment industry professionals always used to joke with me and Forrest Black about Blue Blood in print being the “trade mag of cool”, maybe because we always found the next big thing and provided contact info. I suppose I’d be wildly wealthy today if I’d just marketed myself as a consultant and charged quite a bit more for that data than the price of a magazine. My focus, however, was just on making a good magazine. One of the coolest things about making a magazine, versus making a website, is that I could just mail anyone I thought was cool a free one. I never felt like I needed fancy press releases. I could just show what I created to people I respected and hope they liked it. I didn’t know it until years too late for this to be useful to me, but Blue Blood was far and away the highest circulation magazine in its niche. So I guess that all worked just fine, in some respects. But, for a web site, this becomes a lot more challenging because previously normal human journalists may freak out that they are being spammed when sent a press release, as opposed to physical freebies.

Here is where Derek Powazek’s “Spammers, Evildoers, and Opportunists” article really depressed me. His advice is to never SEO (see the witty title there). His article states that SEO does not work and also, because it works temporarily, it clogs up search engine results. (I think he should pick which is the problem.) He directs his readers to avoid making sites for Google and just make good web sites for one’s readers and tell people you know personally about them.

So here is why the “Spammers, Evildoers, and Opportunists” article really upset me. The whole time I was growing up, it was drummed into me that I absolutely had to get good grades and go to good schools, so I could get a good job and a good life. Okay, both my parents went to Harvard and I went to Wesleyan, but Wes is still one of the top universities in the country on all ranking lists. And that paired with a hot suit will get me a job as a nonsexual escort. Escorting is actually the only job I’ve ever done which required me to have an advanced education. As writing about that job for Hustler’s Chic got me my first non-music glossy magazine clip, I supposed I’ve arguably gotten two jobs for all those years of school. Kind of a sucky ROI.

But I digress. The point is that I was told to just work hard and do what I was supposed to do and I would be rewarded. And I fucking well wasn’t. So it upsets me being told once again that I need to just work hard and do what I’m supposed to do and I will be rewarded. I mean, I still do that because it’s just how I am wired at this point. Like the characters on Mad Men, there is a thin patina of mild disappointment on a lot of my experiences, but I no longer get wildly, dramatically, heart-breakingly disappointed, because I stopped believing my reward was just around the corner and would be given just for making something good which people liked.

In point of fact, for example, I work very hard on making BlueBlood.com a good site. But I spend my time creating and publishing content the readers will enjoy, not optimizing for Google or Yahoo or Bing. BlueBlood.com never makes the front page of Google for a freaking search for Blue Blood. This makes doing radio and TV shows much less beneficial than it should be. That site has actually only received 844 visits from Google total this month. And 143 of those were people searching for specifically blueblood.com. I don’t get why someone would type that into a search engine, but the point is that just working hard and doing good work are absolutely not enough. I would love it if someone from Google could explain why the heck that site is never indexed properly. Thank goodness I have extensive traffic resources outside of what search engines provide. And I work hard on those too. It makes me viscerally angry to see Twitter lighting up with venture capital rich tech gurus saying everyone else should just work hard, tell their friends they’re working on cool stuff, and sit around waiting for something good to happen. The Underpants Gnomes on South Park have a waaaaay better business plan.

I like to do the right thing and I enjoy working hard. But I am well aware that I pay a heavy price for the luxury of doing what I feel is the right thing on the road less traveled. And I am sick to death of being advised to keep doing the same thing while expecting different results.

AltPorn.net interviewer Beda Hoydenish writes:

“Everyone knows Amelia G runs the Blue Blood empire and also does some of the photography and writing for it. Here on APN, we’ve featured photographs she has shot for Blue Blood many times and we’ve mentioned her writing once or twice. (You can also see the interview we did with Amelia G five years ago — Ed.) I write for APN and I have all the old Blue Blood print magazines from the 90’s in plastic bags with cardboard backing, so I thought I was pretty aware and I still found a lot on Amelia G’s new AmeliaG.com site to both inform and entertain me. In addition to running the business end of Blue Blood and working as an editor for many projects, Amelia G has had hundreds of photo sets published and thousands of articles. Amelia G has done writing and/or photography for all the major adult publishing houses including Playboy, Penthouse, Flynt, Crescent, Magna, and AVN, plus niche magazines including Marquis, On Our Backs, Skin Two, Tattoo Teasers, Fetish, Extreme Fetish, $pread, and of course Blue Blood. Her fiction has appeared in Best American Erotica, Best S/M Erotica, and Best Women’s Erotica and dozens more books. But she still took time out of her busy schedule to give APN this exclusive interview.

APN: Blue Blood magazine in print was really ground zero for jump-starting the whole altporn genre and you’ve managed to maintain a top ranking for Blue Blood for more than sixteen years. To what do you credit your remarkable success and longevity?

AG: Thanks. I always hope the universe will smile on me for hard work and doing the right thing, and sometimes it does. A big advantage Blue Blood had in coming to the web is that the magazine was always subscription-driven and we had free sites for the community for years before we launched our first membership site. We actually had paid members before we had even actually launched the first pay site because we tested out a banner rotation for a few minutes and people saw it. I really appreciate the support we’ve gotten over the years and try to really put a lot back into the scene and into having . . .

Cool promo pic of yours truly by Forrest Black. Read the whole interview by Beda Hoydenish on AltPorn.net.

The BlueBlood VIP just passed one hundred thousand images with a series Forrest Black and I shot of an OG Blue Blood hottie from the magazine days. Blue Blood began in print sixteen years ago in the suburbs of Washington, DC, in the basement of a Maryland punk rock group house called New Cambodia.

I had previously done the BLT ::: Black Leather Times antisocial punk humor zine in a Virginia punk rock group house called Cambodia and I was ready to do something glossier and with more reach than BLT’s 2,000 copy print run and mostly local circulation. I don’t think I realized how much I was biting off or that it would eventually take a whole two car garage to house all the Blue Blood subscription magazines for any given issue while a pizza party of my friends feverishly stuffed envelopes and boxes in our unfurnished living room. Perhaps I had faith that Blue Blood would get the attention is has in press from everyone from The New York Times, Penthouse, and Draculina to HBO, FOX, and MTV. But I certainly could not have expected the audience of tens of millions of people the internet has brought.

It was extra meaningful to me and Forrest Black to have OG magazine covergirl Cherry Jason and her real life lover Ledgrey featured in the brand new series which took BlueBlood.com over the 100k mark. That is a whole lot of beautiful on-topic images, by a lot of creative photographers, shooting a lot of flamboyant people. I naturally still have a lot of friends in the DC area and generally get back mostly for weddings and similar occasions, but it’s also fun to check out how the club portion of the DC scene Blue Blood came out of is doing. This time out, Forrest Black and I went clubbing with Cherry and Ledgrey and pals and shot them over at their place.

Cherry is a dancer and Ledgrey is a banker and their place is in pretty much the most perfect, sought-after, convenient location in all of Washington, DC. Cherry and Ledgrey have such a wonderful energy, so we ended up with a bit of a gothic punk From Here to Eternity vibe in this series and the overall feel is just what we all wanted it to be.

Of course, although we have a safe for work free photo gallery of Cherry and Ledgrey on BlueBlood.net, you’ll have to head over to BlueBlood.com and pony up a few bucks to see the naughty bits.

The original Blue Blood magazine in print always opened with an entertainment section where we covered music, events, books, and all sorts of cool stuff. Pretty much like BlueBlood.net. Then there would be a number of short stories from big name genre fiction authors and a number of photo sets featuring exclusively real life couples doing what they would genuinely do whether or not there was a camera there. Now that we have digital cameras and the internet, the world is a different place and so we’ve added solo hottie sets to the mix, but, where BlueBlood.net is the digital incarnation of the magazine’s entertainment section, the hot stuff which made up the rest of the magazine resides on BlueBlood.com now in the VIP section. This way each sort of content is in its proper place to be viewed most conveniently.

Although naturally the history is important for a brand founded in 1992 like Blue Blood, let me break it down with a bit less history. BlueBlood.com features more than 100,000 erotic photos, including our world famous signature couples sets, and erotic fiction by some of the best genre writers in the world. BlueBlood.net features nightlife galleries, babe galleries, social critique, music videos, interviews with interesting people, book reviews, movie tidbits, comics info, television news, and entertainment journalism in general. To break it down even more simply:

BlueBlood.NET = SFW entertainment site
BlueBlood.COM = NSFW erotic site

BlueBlood.net and BlueBlood.com are intended for the same sorts of intelligent, independent thinkers, who enjoy the road less traveled, with lifestyles which are flamboyant, offbeat, and beyond the average person’s experience. Blue Blood in print used to be called The Trade Mag of Cool because Blue Blood’s audience is unusual, made up of tastemakers, the first in each of their respective scenes to know about and share new things, people who are just going to be more cool and creative than the norm.

One of the times it first became really apparent to me that a Blue Blood audience is really above and beyond, we were hanging out in New Orleans and I offered comp copies of the magazine to someone who worked for Trent Reznor of Nine Inch Nails. NIN’s album Pretty Hate Machine pretty much changed my life, so I was jazzed at the idea of passing along my work to someone like that. His assistant was all excited, but, when he looked at the cover, he was like, oh, Trent already has that issue.

After sixteen years, it is more difficult to get a rise out of me. I know a lot of rockstars and, at this point, I am often reluctant to interact in any way whatsoever with anyone whose work I love. My fear is that a negative personal interaction with the artist will reduce my pleasure in the art. At Blue Blood, we approach our shoots, especially our couples shoots, as a very collaborative process, so there is a lot of discussion of what will be shown. I remember the first time Forrest Black and I worked with Cherry Jason in the 90’s, she totally made us both blush. Shooting her this time, if anything, it was the other way around.

Sixteen years is a long time. Sometimes I rail against the things in the world which I either can’t change or haven’t changed yet. But I’m awfully happy with where Blue Blood is at sweet sixteen. As a big William Gibson fan, perhaps I could have imagined in 1992 what Blue Blood would look like in 2009, but I can’t say that I did. The plan was pretty much do a bunch of cool art projects for the community and wait for new technology to be invented to make the whole thing viable.

Sixteen years. Dozens of Blue Blood parties. Hundreds of stories. Thousands of articles. Tens of millions of readers. Getting to meet and work with so many cool people in so many walks of life. And now over one hundred thousand images in the BlueBlood VIP! Not that I didn’t work and sacrifice for it, but, on a good day, I am truly humbled and grateful for getting to have the life I have had so far. And today is a good day.

Three very deviant ladies whose work I know well just perked up my holiday season like a handful of little blue pills and a mason jar of Alabama moonshine.

This may come as a shock to those who don’t know me, but the holiday season and I are not exactly sympatico. (Those who know me, however, are rolling their eyes: “We know, we know!”) I’m not sure at what point during my misspent childhood I turned into a Grinch, but knowing me it probably involved finding out that the Thompson submachinegun I’d just received under the tree wouldn’t, you know, kill anyone or anything. In fact, the damn thing was made of plastic.

Since then, I’ve developed less and less of a taste for the holidays every year, especially after working in the sex toy business where budgets lived and died based on the number of Class V Mister Fuck Double Dongs you move before December 24. I understand it’s the same with plasma televisions. The advertising blitz designed to make you cough up your hard-earned for that new sweater, or in recent years The Next New Shiny Thing, used to begin the day after Thanksgiving; then it was some nebulous date in early November; nowadays, the pumpkins are shredded in storefronts across the nation in the desperate race to get the damned Christmas trees up. “Bankrupt yourself,” the ads seem to say, “Or your Wife/ Husband/ Girlfriend/ Boyfriend/ Kids/ Dog/ Gynecologist won’t like you any more.” It’s Guilt Trips for Jesus, and I’m havin’ none of it.

The only thing that gets me through the holidays is all the Christmas themed smut that’s out there. I will admit, I am a sucker for the irreverent trope-orgy satisfaction of a themed photo shoot or dirty story, and three Blue Blood hotties just got to the heart of holiday happiness, with a dose of nasty Santa Claus and a succulent suck on a candy cane that’s been somewhere your pastor wouldn’t approve of.

First there’s lovely April Flores; now there’s someone whose spunky style is begging for the Blue Blood treatment. Curvy & gorgeous, April is the muse of photographer and videographer Carlos Batts; she is the main subject, in fact, of two of his erotic DVDs, Alter Ego and Voluptuous Life both of which which showcase her pouting, preening, dressing up, dressing down, having decidedly deviant fun with various people and generally looking amazingly hot. An extended cut of Voluptuous Life is out from Adam & Eve’s DVD sublabel Bad Seed — Carlos’s first major DVD distribution. I just got the disc today, in fact. I’m betting it’s even dirtier than the awesome indie-underground version.

In this Amelia G & Forrest Black shoot, April is dressed up like a candy cane and every bit as scrumptious. Bright red hair, silver gloves, red stockings and candystriped dress are enough to keep Santa happy (and off my roof!), but what every girl wants for Christmas is a pair of silver heels like these. Things get more interesting when April shows just how skillfully she can lick a candy cane, and let’s just say the dress, nice as it is, doesn’t last long and neither does the candy cane’s innocence.

Matching April’s candy cane and raising her Saint Nicki and a pervy lesbo elf are Michelle Aston and Aiden Starr. I had the pleasure of meeting Aiden Starr at the Adult Entertainment Expo in Las Vegas last year, and since then I’ve made strange howling noises every time I think about her. Petite but naturally curvy, she’s an intoxicating mixture of sugar and spice, the sugar being honey the color of her shimmering blonde hair, and the spice being deadly nightshade with a hemlock chaser — just to my taste. If you don’t believe me, look at the wicked glint in her eyes: she loves to hurt people, you know it. Or maybe I know it, because she told me, and I’m fairly confident she was not blowing smoke up my ass given her sadistic bent showcased in about half a dozen BDSM flicks I’ve seen.

Who better than Aiden, then, to frolic as a green lipped corseted elf to Michelle Aston’s stiletto-heeled Santa? The answer is none, none more better. In these shots (also by Amelia & Forrest), things go from playful to PLAYFUL if you know what I mean, and if two dirty girls are having fun then it’s these two.

I love two particular things about this shoot. First, Aiden’s corset is not some schmantzy leather but what looks from this angle like down-to-business cream-colored number like what your tweaked-out gramma wore when she smoked reefer with Mitchum and did him and all his friends back in the ’50s. That, or it’s medical grade support fabric, which I don’t even want to think about — it gives me goosebumps. Anyway, I also love that Michelle has been practicing in the mirror, I think, between playing scenes from Sid & Nancy on repeat — she’s got her sneer down pat. If she didn’t chase each erotically derisive lip curl with the that slutty little thing she does with her tongue, I might think she didn’t like me.

You are never going to see two hotter women getting it on in holiday costumes, I guarantee it. After some luscious shots detailing these two beauties’ very special attributes, they get delightfully busy, and strategic portions of both Santa’s and elf-girl’s wardrobe go bye-bye along with my holiday gloom, and probably yours too if you’ve got any taste in the ladies.

Eros Zine editor Thomas S. Roche writes:

“Forrest Black is best known as the Creative Director of Blue Blood, a network of sites that showcases gorgeous chicks in explicit gothic, punk, well-armed and counterculture erotica. More recently, Blue Blood has launched BlueBlood.net, a source for community where freaks of many stripes can post on everything from politics to music to sex to travel.

Born into a hippie household in Northern California, he’s lived since in the DC area and Atlanta, and now lives and works in Hollyweird, where he hits the cool parties and meets some of the world’s freakiest and hottest chicks to pose for him and Amelia G. We caught up with Forrest at the recent West Hollywood Book Fair for a chat about the Hells Angels and well-armed women.”

The interview kicks off with:

Eros Zine: OK, let’s go way back to the beginning: Where did you grow up — and how do you think it influenced your choice of career, and your attitude toward the industry?

Forrest Black: I was born in Northern California, in a room full of candles, incense, and revolutionaries. It was in a beautiful home with thirteen black cats and the ghost of the previous owner. The property had previously been a boys camp which had been converted by my parents into the sort of hub of my Father’s business. He was the leader and sort of project manager of what was later described as one of the largest drug smuggling operations of the time. They had planes and trucks crossing borders North, West, East and South. Among many other things, he was a major supplier of Ergot to the famous LSD houses of psychedelic era San Francisco, and he believed in what he was doing on a profoundly spiritual level. My Mother was a model and an artist and is one of the most beautiful loving people the world could ever know. So, I kind of grew up with radicals, revolutionaries, and rock stars. We were very close friends with the Grateful Dead and one of my earliest memories was going to the Oakland Cow Palace with several busses chartered by the Hells Angels to go see the Barnum and Bailey Circus. I went to kindergarten with a Free Sonny Barger shirt on.

Growing up surrounded by all that clearly instilled a certain libertine perspective and appreciation for counterculture philosophy, art, and politics that is so deeply ingrained in me, I can’t imagine who I would be without it. Blue Blood was never really a career choice for me, it’s deeper than that. So, some of the trends in adult industry to use some of the labels and terminology of current counterculture in their bid for a certain cool credibility or whatever can occasionally get under my skin, but I am aware that it’s not something that needs to be taken too seriously.

Eros Zine: BB’s tagline is “the trade mag of cool,” and you’re known for having a lot of fans and supporters in the music industry, especially where you might most expect ‘em — goth, metal, industrial, etc. Back in the print days, the most radical thing about BB was that it totally blended the cultures of rock ‘n’ roll, horror/sci-fi/fantasy/noir, BDSM, and porn. It was kind of a great big orgy of all the things you and your friends were into. Now that BB’s long since made the move (like just about everyone else) onto the web, how much is that still true? Are you able to incorporate into BB every part of entertainment and culture that you dig, or are there ways in which it’s harder to make that connection now that BB and its associated properties are online?

Forrest Black: Some of the original objective with Blue Blood was to celebrate all the things that were good and beautiful and enjoyable and meaningful from within the context of a counterculture lifestyle. The various scenes we were involved in, or had visibility to, and in many cases grew up with, were full of interesting eclectic creative people, none of whom were textbook examples of one narrow cultural buzzword or another. But there was a certain commonality of experience and perspective, and we felt like we understood it well enough to create a publication that seemed to color outside the lines but made perfect sense to the right kind of people and quickly became a powerful tastemaker across the board.

Casting that wide a net, collecting up the coolest gems from the worlds of music, literature, street fashion, gaming, art, and pop culture, with an eye to expressing what was good and sharing what was quality with our audience has always been an immense undertaking. In some ways the internet has helped and in some ways it’s been a bit of a challenge. I love being able to run as many pictures as I like from a great photo shoot, no longer being limited by page count and format constraints. I can even post video to compliment the layout as well. But, on the entertainment writing side, it’s possible to become so micro-niche specific these days that it becomes very difficult to know sort of what level to stay at. For example, what once was an entertaining little 150 word bit on a certain industrial fetish esthetic now has seven to ten active blogs and communities dedicated to just that.

To deal with transitioning to the sort of unlimited depth of the internet format, Blue Blood has kind of gone two directions online. On the one hand, like you mentioned, we have a lot of sites, each of which has it’s own more specific focus. While on the other hand, the central sites, like BlueBlood.net are in many ways more focused on sharing the essential unifying ideas of our counterculture as well as building a community of mature diversely opinionated free thinkers.

Eros Zine: How did you get involved with Blue Blood the print magazine? How early in the life of the mag was it? Were you involved with its predecessor BLT? . . .

You all will just have to pop over to Eros Zine to read the whole thing. It is a really extensive and interesting interview. It takes a talent like Thomas Roche’s to get Forrest Black really talking, but he has a lot of interesting things to say. There is also a photo gallery of some of Forrest Black’s and my photography. Be sure to click on the header graphic when you get to Eros Zine, in order to see the whole thing. Blue Blood hotties featured in the sexy spread include, in alphabetical order, Dana DeArmond, Darenzia, Eva Klench, Jax, Justine Joli, Kellie LaPlegua, Michelle Aston, Miso, Miss Conduct, Nikki Vega, Roxy Contin, Sara X, Scar 13, Stephanie Slaughter, Sun Karma, Superna, Verotika, Vima, and Voltaire. Please check it all out. Thanks so much for the support, Eros Zine and Thomas!

Wow, Wired Magazine just really hurt my feelings. Genuinely. I’ve been an enthusiastic supporter of their magazine from day one. I have every single issue from their very first three years on my magazine shelves. I remember how excited I was when they first came out, covering cool hacker counterculture with fresh artistic sensibilities. And now they would reach out just to be really petty and cheap and nasty to Blue Blood? That’s really not cool at all. What? $6.66 was too much of a micropayment? I would have gladly comped anyone from Wired, partly in the hopes of getting a press mention, but mostly just out of respect. Actually, come to think of it, we’ve comped quite a few people on the staff of Wired over the years, many times at their own request. But, I guess I’m just a chump. This is what I get?

(click to enlarge)

I realize it’s just kind of a bottom of the site blog section designed for negativity, so it’s not like it really counts, but it still seems really unnecessary. Partly, if you stretch a 180 pixel sample thumb image 167% and make it all blurry, yeah it starts to look kind of crappy. I know the folks over there are more talented and tech-savvy than that.

Normally, I’d like to write something a little more structured, and little more focused, but I’m actually kind of hurt.