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Archive for Posts Tagged ‘diary’

If I’m so connected, why do I feel so disconnected?

February 8th, 2009 by Amelia G

livejournal myspace twitter facebookI enjoyed LiveJournal because sometimes I have fragments of ideas which are not ready to be an official article, but it is nice to be able to start giving the words shape. I also felt like I could actually get to know people on there. Like, if I met someone at a rock show, we could exchange info and continue getting to know one another. I was extremely bugged, however, when I started seeing people out at night and I’d ask them how they were and be told to read their LJ. Why bother leaving the house if you refuse to have a conversation? Over time, people started taking LJ more and more seriously. This meant that, first of all, that, if I complained about work on there, some dick would take it as uber-personally and big deal as if I had sent out a press release and posted “I had a hard day because blah blah” to every high traffic site I operate. Secondly, there started to be too many people on my LJ list for me to keep up with what everyone was up to. Most disappointingly, treating LJ as a publishing platform rather than a diary meant that other people started writing less and less personal entries and more and more press release-like entries which had more to do with how they wish to be perceived than who they truly are.

At first, I hated MySpace because it seemed like a service whose only application was to allow other people access to my Rolodex without having to say “thanks for the introduction”. Then I also hated MySpace because it seemed to pull audience from LJ, which I had enjoyed the interactivity of, and MySpace didn’t really seem to have any way to get to know people. MySpace is like this menu of people who seem like, in another life, I might have really enjoyed knowing them, but MySpace gives just enough of a taste to feel weird about people, without really enough to know them at all. Partly, MySpace is so terribly public that one really ought to keep anything private off there, but this means that there are always aspects of a person left off there which would be important to know if you were truly meeting them. And, if you are forthcoming with someone who has a popular MySpace account, you can’t trust that they will know to keep private things private, libel laws or no. Who wants to spend all their time in legal battles? It is easier to just be really private and closed off. I hired people to handle my MySpace accounts for me because MySpace filled me with such a deep keening sense of loneliness. There are certain sorts of MySpace messages, I enjoy answering personally. (If you got a message with my name signed to it, I wrote it.) For the most part, though, every time I’ve thought a Los Angeles person I met on there seemed like someone I’d want to know, they ended up digitally booty-calling me. Part of me thinks I should be flattered by this, as I generally am motivated to converse with people who are accomplished, intelligent, talented, creative, famous, etc. But it just makes me ache inside. Do human beings no longer meet in person for anything besides sex?

Then, one of the years I spoke at SXSW, the big interactive launch of the season was Twitter. Everyone was all a-twitter over this new ADD version of LiveJournal. Instead of having to read long transcripts of arguments someone had with their mom or extensive deconstructions of the merits of macaroni with and without cheese, Twitter only leaves room for 140 characters in a post. If you have a Blackberry or an iPhone or similar cell phone, it is easy to update your Twitter even while driving in traffic. (Not that I recommend this, as I’m pretty sure it might be illegal or dangerous or something most places.) Because of the SXSW launch and general tech community culture driving the initial Twitter world, I had mostly people I knew from that part of my life on my read list and I felt like I actually was getting to know some interesting and accomplished people a bit better on there, seeing cool links as news broke, and generally getting to enjoy a new Web 2.0 property. I’m not sure if there was a panel at the recent adult trade shows in Vegas where everyone was told that Twitter is great for interacting with fans or getting traffic or what, but I’ve recently had a couple hundred new people add me to their Twitter follow lists. Although early on, I just had my assistant add back all new follows on Twitter and I’d just remove the boring or annoying ones later, I now prefer to check out each new follow personally. This means that now, when I think of posting what delicious things I am consuming for breakfast (iced soy latte and smoked salmon on low salt sprouted grain bread), I feel guilty like I should really get on checking out all those new accounts which have expressed interest by following my account. Only then I have to wonder how many followed my Twitter because they are interested in me and how many followed because they want me to be interested in them? And, of course, I recently got to discover that 140 characters is not too few for someone to start drama, but it is too few to explain one’s point diplomatically enough to get them to chill.

Although I was an early adopter on Twitter, I came to Facebook late. Partly it had trouble with my name and partly I had to get alumni email stuff set up for it to be useful in finding former classmates. Plus the places in Germany, Belgium, Israel, and Switzerland where I went to school in my teen years were not listed and the system seemed to be set up for fewer high schools. Facebook tech support is impressively by far the most responsible and effective of any of the social networking sites and I eventually did get an account properly set up there. On Facebook, I used a different rule of thumb for friending people or approved friend requests: I only wanted friends on there who I would deliberately have a meal or a tasty beverage with. If the person is someone I’d be pleased to get a dinner or drinks invite from or a person I’d be likely to extend a dinner or drinks invite to, then I’d approve them. If the person is just someone who would like me to take their photo or who would only be interested in dining with me if I brought important (to them) or fuckable (by them) people with me, then that would be a no. I find it unfortunate that my morbid college friends can’t shut up about my two friends from that time period who died tragically. If the deaths of those two people saddens my living friends half as much as me, I’d expect they would want to think about it a bit less often than daily. My Facebook friend add process is slow because when a new person adds me who I want to add back, I like to write a personal note to them and I do keep up with my friends status feeds and such. I update my own Facebook status with Twitter and import notes from my LiveJournal, so my Facebook friends probably get a mildly more complete view. But tonight, I logged onto Facebook thinking that maybe I would do something sociable and just felt a wave of social anxiety. Although there are five or six pending requests on there I was really really looking forward to approving and interacting with, there were also a hundred I was kind of stumped by. Lots of women I’ve known have naturally changed their names. Lots of people I’ve known by fannish names or punk rock nicknames and I don’t recall what their mamma called them, even if I knew once. Remembering multiple names for every person becomes really hard once one has met enough people. I recognized some of the add requests as people I’ve photographed but don’t know and some as people who dated friends of friends of friends or who were otherwise tangentially part of social groups I was in. Not people I dislike at all, but not all people I’d be inclined to hang with if I were in town for a weekend or vice-versa. Some people ring a bell and I agonize over where I know them from, but don’t want to offend by asking. My time is so limited that I’d really like to have just one social platform where everyone on my list is someone who might actually care if I had a death in the family. Or at least enjoy getting coffee with me on a good day.

Actually, although I still minimally participate in LiveJournal, MySpace, Twitter, and Facebook, I find that, for me, all the new Web 2.0 modes of interaction feel great for a few months and then feel kinda ache-inducing. If I’m so connected, why do I feel so disconnected? The only web interaction sites which tend to consistently be enjoyable for me are forums. This is why it is so important to me that the BlueBlod.net boards be a place where people from varied backgrounds can exchange different viewpoints in an intelligent and real way, without tonal BS bulletpoints, without flame wars, without being unable to back up what they say.

But, every once in a while, it just all fills me with such a deep keening sense of loneliness, I pine for the days when I used to just drop by friends’ houses and vice-versa, when it felt worth getting dressed up to go out, whether or not photos would be taken. I realize this is the internet age equivalent of longing for the times when people dressed up to go visit the town square. I remember my grandparents talking about country clubs taking the place of the town square or something along those lines that a child’s mind couldn’t quite grasp. A country club is too geographically local for today’s mobile world, though. I wish I could take a year off and just travel and write and eat right and visit people from different times in my life and different areas of my interests and see who I really connect or re-connect with and who is just a pleasant memory. The country club of Web 2.0 is just simultaneously overwhelming with the constant clamor of thousands of apparently potential friends and lonely with lack of anything real enough to feel . . . well, real.


Avoiding Donkey Shows and Imaginary Friends

March 23rd, 2007 by Amelia G

Liz Henry at SXSW Fictional Bloggers PanelI attended the Fictional Bloggers panel at SXSW. The panel featured Liz Henry and Odin Soli. They are both active in Latin American political writing, which is an area I admit I don’t follow. I spent some time in Brazil when my mother was stationed there and got some creepy awful illness which caused blood to exit from strange places and caused me to take medication which made everything taste like metal for a month. Also, despite huge natural resources and local wealth, there were homeless children there and that kinda freaked me out. I haven’t followed much in the way of anything Latin American since. Even though I live an easy drive from Tijuana, the only people who generally try to get me to go south of the border with them tend to be professional adult webmasters. These are the sort of guys who just can’t help bribing public officials and finding out where the donkey show is. As a result, despite having lived all over the world and living in Los Angeles now, I have never even visited Mexico for an hour.

Liz Henry’s work these days is working for Socialtext, which is a company attempting the interesting enterprise of introducing wiki technology to the corporate environment. She also blogs for Feminist SF which lists yours truly in their index of female authors of science fiction, so they have to be awesome. Bonus points: Liz Henry wears purple hair well. Odin Soli works for a company called Aveso, which is either a webhost, or more likely a company striving to sell big business on the cyberpunk giftcard accessory of teensy weensy electronic displays. I know it doesn’t seem like this is a more likely thing to even exist, but the Interactive portion of SXSW is about new tech and next time someone mails me a Starbucks giftcard as their holiday thanks for helping them have a good year, I’d like that card to have an animation of ice cubes in a latte. Actually, I’d like to claim ironic detachment on that one, but I really do think miniature electronic displays on cards would be pretty spiffy.

Odin Soli at SXSW Fictional Bloggers PanelHowever, what Odin Soli is best known for is creating a fictional blog. And that was the main topic of the panel. From 2001 through 2004, he wrote an online diary of the supposed life of a young woman named Layne Johnson or Plain Layne. Odin Soli explains his concept of the character of Layne on his site saying, “Layne Johnson was an unlikely protagonist for that kind of fame. She was cute but gap-toothed, a twentynothing infowaif laboring in the lower GI tract of Corporate America. She struggled with her conservative Lutheran family and a revolving door of boyfriends — and later, girlfriends. She described herself as “un-out-dorkable” and tended to finish sentences with “hey?” And most of all, she shared her innermost thoughts and feelings with brutal honesty.” He thought it would be an interesting creative exercise, writing in the first person, with a female voice, in a medium like the internet where the readers could interact with the fictional character of Layne. He had previously written a travelogue in this style from 2000 to 2001, but, The Sex Pistols are Alive and Well and Living in Sohatsenango, the travel diary of the fictional female journalist Acanit became ethically uncomfortable for him after the events of 9/11. So he created Layne. Usually, an author would be very pleased if something he or she wrote garnered hundreds of thousands of fans. Unfortunately for Odin, his fans kinda thought Plain Layne was a real person and they cared about her like they would a real person. And, when he grew weary of the creative exercise, his creation’s fans clamoured for more. And, when he actually stopped writing Layne’s story, “her” readers turned sleuth, did some detective work, and outed the real author as being a man. The mainstream press went beserk and Odin had a pretty unpleasant time of it.

Liz Henry, whose BlogHer blog identifies her as “feminist, geek, punk, poet, mom”, made the point that, in situations where fictional journals are being put out there, the “dominant culture can be speaking for people who actually know much more about what it is like to be them.” She also pointed out to Odin Soli that all testimony is undermined if you undermine the social trust. His view was that, if the writing could potentially impact international public policy, then that was ethically dicey, but, even after all he had been through, he seemed to still feel that there ought to be a way to be entertaining with a fictional blog.

I admit I’ve played both LARPs and table top games with the best of them. But, in those situations, everyone knows you are not really a 10th level illustionist/assassin of half-orc descent. To write good fiction, a writer absolutely must be able to express voices besides his or her own. When I had one of my fiction pieces in Susie Bright’s Best American Erotica, I participated in a reading for it at Slim’s in San Francisco. I never do readings because, although I enjoy public speaking, actually reading my work aloud makes me experience agonizing shyness, but, hey, it was Susie Bright asking and she’s a real inspiration. At any rate, the story I had written was from a first person male point of view. I wrote it under my own name and Amelia sure ain’t a boy’s name. There was no question that the story was intended to be taken as fiction. Yet, some people who reviewed the show said that they found it sort of odd to see me up there in my red sequin corset talking about my cock and not meaning a strap-on. But it only struck them as humorously off-kilter, not actually enraging. Because they honestly did know, in a general way, what was real and what was not. Then again, they certainly couldn’t know which characters in my short story were based on which real life people and which parts were wholly fiction and which ones less so.

So how far is too far when it comes to online roleplay? Lots of writers use pseudonyms. Is that wrong? Does it become wrong when they use more than one? Does it become wrong when the illusion is broken? Does it become wrong if they have an actor perform the role of being their pseudonym on book tours the way J.T. Elroy did? One of the reasons so many people felt J.T. Elroy was more a hoax than a pseudonym was because they felt they were having a relationship with a real person, but their friend turned out not to really exist. Another reason people felt J.T. Elroy was so wrong was perhaps because the hoax was so very successful. Is it wrong for someone to pretend in their online profile that they are someone they are not? Is it more wrong if they pretend successfully enough to get laid IRL?

When does fiction bridge the gap and intrude too far into real life?


Aspirations!
by Cafe_Post_Mortem
Cats are awesome
by mystoo
Babyland 1989-2009
by One Eyed Cat
Favorite Social Sites
by stevieseven
Twilight
by a_small_death
Is anyone in New Zealand?
by Amerrrr....huh?
What's everyone reading?
by Rockwulf
"normal" social behavior?
by grebo
I'm So Goth...
by Vix
Kermit always cheers me up
by nathanmbailey