by Amelia G : September 1st, 2008
So apparently, while I wasn’t paying attention, best-selling author Tucker Max challenged Nick Denton’s huge blogging empire’s flagship Gawker to a $10,000 bet over the likely domestic gross of his upcoming movie and Gawker declared Jihad on Tucker Max over everything. Not in that order.
Full disclosure: I have drunk beer with Tucker Max and I’ve shaken hands with one of the Rudius Media bloggers. I have partied in Vegas with large portions of the Gawker staff, enjoyed Gawker’s hospitality in Austin, and shaken hands with Nick Denton. I think it is fair to say that I don’t have a horse in this race because I genuinely like and enjoy the work of people in both camps.
Now, Fleshbot is the main Gawker blog I read with any regularity, although, given that I quoted ValleyWag earlier today, obviously it is not the only one I read. So I don’t know how I missed the Gawker flagship’s 20 entries this month about how much they loathe Tucker Max. I worried that I might be being too rough on Joshua Todd and Buckcherry earlier this week, but, damn, compared to Gawker, I am sweetness and light and the personification of all that is gentle.
I wrote a thing a while back where I praised Tucker Max’s writing and general brilliance, but I mentioned that he was coy in his stories about use of cocaine. Tucker Max is very sensitive to people having misimpressions of him and he explained to me that it was important to him that he was about hanging out with beer and hot chicks and not about hookers and blow and that he felt beer and hot chicks were more fun. I’ve …
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by Amelia G : June 29th, 2008
Ivan Reitman directed Ghostbusters and Stripes and produced Heavy Metal, so I’d like to believe that his progeny would be on the side of all that is awesome. His son Jason Reitman adapted Christopher Buckley’s Thank You for Smoking for the screen. I thought he did a great job and I loved the book and love Christopher Buckley’s writing. Doing an adaptation of a good book that readers enjoy is no mean feat. So I’m sure Jason Reitman’s movie Juno is well done. But I haven’t seen it for a few reasons.
I first became aware of Diablo Cody, who is credited with having written Juno, when a bunch of my writer friends started complaining about how they believe Diablo Cody, at best, co-wrote the film and, at worst, allowed her youngish sexually-adventurous hip chick chic to be utilized as a pseudo-feminist face for one of the Reitmans. I’d never heard of her before, so I was surprised by how many people I knew, from really different areas, who all believed this. I always remember Diablo Cody as Cody Diablo because Diablo just sounds like a last name to me and Cody sounds like a first one to me. I guess she kept some kind of a blog about stripping in between office jobs and some of the writers I know base their opinion on the level of maturity in her writing there. I haven’t read the blog and don’t really know. Whoever wrote Juno, it looks like it has some snappy well-delivered dialog, judging only from the trailers. I’m not a fan of the female mascot PR methodology, but I’ll give Diablo Cody the benefit of the doubt. Maybe she did write the film.
Here is where we come to …
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