Posts tagged: fashion

Corporate Goth is a familiar expression in East Coast cities where people tend to separate their playtime from their workdays. I was living and working mostly in Washington, DC and Baltimore when I founded Blue Blood in print. I did primarily contract design work and most of the companies I worked for were conservative federal contractors, management consultancies, and lobbyists. My hairstyle at the time consisted of only natural colors, albeit definitely not colors which would appear striped together in nature. On my own time, I believed that shirt was spelled L-I-N-G-E-R-I-E. Heck, one of my neighbors harangued me from across the street, telling me I belonged in a whorehouse for what I wore just to clean my car. (I called the cops on her.) But, when I was seated at a computer in someone else’s place of business, I might not have looked like the most standard employee (or contractor). My clothes might have tended towards a darker palette and my hair was not really a businessperson’s cut, but it was usually businesslike enough. (When I worked at EDS, my manager did complain to my agency about my sexy stockings.)

This might go without saying, but I’m going to state the obvious here: I read a lot of cyberpunk at the time. I loved William Gibson and John Shirley and Richard Kadrey and Norman Spinrad and Pat Cadigan and Walter Jon Williams and George Alec Effinger and of course Bruce Sterling’s Mirrorshades anthology was seminal. The list goes on, but one of the salient points of the emerging cyberpunk genre at the time was that it acknowledged both street culture and corporate culture. Cyberpunk was, in many ways, first and foremost a sociological study of how the human …

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Sometimes I feel like I am just on vampire time. Something will be on my to-do list and I’ll feel like darn-it-some-time-has-passed. Only it will be more time than seems possible in my gut response. Anyway, it has been on my to-do list to bring you all more fashion coverage on BlueBlood.net. So I’m going to start checking this off my gigantic to-do list with this exclusive never-before-seen interview with Tyler Ondine Whitman of Heavy Red Noir Couture. Tyler and I had a good interview and I’m sorry it took so long to get it live. In my defense, the file was called blueblood-interview, so it was not super obvious what was in it, while it was sitting on my hard drive. Without further ado, I bring you the feature interview on Heavy Red:

AG: How did you first get into being a designer?

TOW: I love clothing that looks like it is straight out of a beautifully demented dream. I wanted my clothing to look like it was from a dark cabaret ball in a haunted estate at the edge of time. Eventually that led to designing and making gothic clothing for myself. Once I got started, well, of course it became an addiction. I am still making clothes for myself, as well as the ladies, gentlemen and other creatures of the night who attend the dark balls and walk the night as elegant, tortured souls.

AG: What is your fashion/educational background?

TOW: Gothic clothing is a style all its own, so the best way to learn it is by doing it and wearing the results. I would go to Perversion, or some other club or event, wearing something I had just designed. If I felt fabulous and dark …

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Every once in a while, I like to watch old black and white movies. I’m particularly partial to ones where men speak in clipped strong rhythms and people get murdered. But I’m open-minded and my TiVo recently suggested that I try watching The Wild One.

The Wild One is the classic 50’s flick where Marlon Brando’s Johnny character, when asked what he was rebelling against, famously answered “What’ve you got?” It is difficult to watch the movie in the present day and fully grasp the impact it had at the time. Supposedly many people felt that James Dean was a Marlon Brando wannabe and Brando’s swaggering performance in The Wild One informed the later acting careers of men like Steve McQueen and Jack Nicholson. The rival motorcycle gang, lead by Lee Marvin’s Chino in the movie, is called The Beetles and is believed by many people to have inspired the name of the band The Beatles with an a. I’ve seen mention that Sid Vicious of the Sex Pistols had a jacket based on Brando in The Wild One or possibly even the specific jacket used in the film, but I haven’t been able to find confirmation more solid than rumor on this. Regardless, even today, everyone from lesbian drag kings to Leonardo DiCaprio takes inspiration from the seminal role of troubled Johnny Strabler. Heck, I personally even commissioned a Cookie Monster Brando before I ever saw the movie in its entirety, so ingrained is this flick in the American consciousness.

Despite this, watching today, it is difficult to know what mood the movie could have evoked when it came out in the 50’s. The movie was released in America in 1953 and was banned in …

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In March of 2003 I wrote an opening editorial for the late lamented Swag magazine project. The editorial was about how a lot of freaks internalize the negativity the larger society has for them. It was about how punk was supposed to promise the allure of a classless society. It was about how we shouldn’t hammer ourselves down because we deserve the rewards of the larger society, at least as much as anyone. The mere existence of this editorial is ironic in so many ways. I have no idea how many people read this the first time around, though, so I’d like to share it online now.

You should also definitely read the piece on Swag, by my old school, zine explosion compatriot Scott Hefflon, which ran first in Lollipop in print, and is now reprinted on Lollipop online. Part of what Scott had to say about the content Forrest Black and I and our pals created was, “It’s really surprising how rarely you find something unique in these “alternative” times. So many things still tow the line, the line is just called something else . . . So yeah, on the surface, Swag could look like a Gothic fashion mag. Lots of scantily-clad vixens, most of them models for one of the sites under the Blue Blood umbrella, but seeing as Amelia G and Forrest Black are top-notch Goth/fetish photographers and have great taste in hotties as well as the few bits of clothing the models wear, that’s far from a bad thing . . . What makes Swag cool is what doesn’t become clear right at first. Style . . . It was fun, I learned a couple …

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Andy Laplegua is a busy man. In the past year alone he has released three full length albums. Icon of Coil, his most popular band in the US, did Machines Are Us, Combichrist, a noisier EBM project, did The Joy of Guns, and Panzer AG did This Is My Battlefield, a darker, more goth/industrial album. Andy Laplegua is the frontman of Icon of Coil, but Combichrist, and Panzer AG are his solo projects.

He has produced a track for Apoptygma Berzerk, and done numerous remixes for bands such as VNV nation, Funker Vogt, Apoptygma Berzerk, Hocico, De/Vision, Mesh, and just about any other electro project you can think of.

I caught up with him after a Combichrist show at Das Bunker in Los Angeles. He was still covered in blood from a photo shoot with Amelia and Forrest earlier in the day. Heres how it went.

Kellie: Great show. Nice fake blood by the way.

Andy: [laughs] Thanks.

You usually wear latex on stage. Are you into the fetish scene, or just the fashion?

I’m not so much into the fashion itself, I love the look and feel of it. I am very much into the fetish scene. I love rubber.

What other fashion do you like to wear?

House of Harlot, Skintwo, Marquis, Cyberdog, DSL, Lipservice. And anything else I see that I like.

What are you drinking?

Jack Daniels.

Straight?

On ice.

I see you have a Johnny Cash tattoo.

I got this tattoo by a great artist named Deacon at Holy Mother Tattoo in Atlanta, Georgia. He actually did this whole half sleeve. It’s a tribute to Johnny Cash, when he died. He is one of the most important artists to me, the whole reason to do music. The way he was a story teller, a great inspiration to all artists. Always …

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