Ivan Reitman directed Ghostbusters and Stripes and produced Heavy Metal, so I’d like to believe that his progeny would be on the side of all that is awesome. His son Jason Reitman adapted Christopher Buckley’s Thank You for Smoking for the screen. I thought he did a great job and I loved the book and love Christopher Buckley’s writing. Doing an adaptation of a good book that readers enjoy is no mean feat. So I’m sure Jason Reitman’s movie Juno is well done. But I haven’t seen it for a few reasons.

I first became aware of Diablo Cody, who is credited with having written Juno, when a bunch of my writer friends started complaining about how they believe Diablo Cody, at best, co-wrote the film and, at worst, allowed her youngish sexually-adventurous hip chick chic to be utilized as a pseudo-feminist face for one of the Reitmans. I’d never heard of her before, so I was surprised by how many people I knew, from really different areas, who all believed this. I always remember Diablo Cody as Cody Diablo because Diablo just sounds like a last name to me and Cody sounds like a first one to me. I guess she kept some kind of a blog about stripping in between office jobs and some of the writers I know base their opinion on the level of maturity in her writing there. I haven’t read the blog and don’t really know. Whoever wrote Juno, it looks like it has some snappy well-delivered dialog, judging only from the trailers. I’m not a fan of the female mascot PR methodology, but I’ll give Diablo Cody the benefit of the doubt. Maybe she did write the film.

Here is where we come to problem number two. I dislike it when companies use a fake female spokesperson and have her pretend to run the company or some such, just so they can get some feminist points or chick support. I dislike it the same way I do when large corporations will back some supposedly indie project and send out phony press releases about what a bootstrap operation said project is. Basically, I think that a certain strata of American culture has figured out how to co-opt their own opposition. So Juno looks like a hip little film, with a spunky portrayal of how intelligent teenage girls approach the world. As played by Ellen Page, even in the trailers, the title character Juno looks like the sort of girl any teenage girl would want to be. Only the storyline of Juno has a teenage girl getting pregnant, deciding not to get an abortion, and giving her baby up for closed adoption to a woman in the middle of a divorce. This is pro-life without even the benefit of family values. Are the baby boomers really that scared that social security is going to go bust if younger generations don’t start breeding immediately?

I’m pro-choice, but I’ve never had an abortion. I realize that there is some powerful biology there and you don’t necessarily 100% know what you would do, until you are dealing with an unwanted pregnancy. So I’m not saying it is wrong for a teenage girl to bring her baby to term and then give it up via the out-dated closed adoption method where she can never meet her offspring, even if the child wants to meet her. I do, however, know that every single woman I know, who has had an abortion and saw Juno, came out of the movie feeling terrible about having had an abortion. So, if the film was not intended as pro-life propaganda being disseminated from within the castle walls of hipsterdom, then it was a poorly done movie, because that was surely the impact it had on its audience. If it was intended to cause more unplanned pregnancies to be brought to term, then good job, guys.

Witness the recent much-publicized pregnancy pact in Massachusetts. Whether or not the fourfold increase in pregnancies at Gloucester High was the result of something which could be described with so sinister a term as “pact”, the fact remains that teen pregnancy appears to be on the rise in some surprising places. My mother mentioned this teen pregnancy story to me when it first broke and my first thought was that this was another example of co-option of cool to promote a counterintuitive agenda. Sometimes certain cultural patterns look obvious to me, but I’m not sure if others will share my view. Well, turns out high schools are now referring to this as “The Juno Effect” and this apparently annoys actor Jason Bateman, who played the prospective adoptive father.

You can be damn sure that, if kids were stealing cars after playing Grand Theft Auto, connections would be drawn. You can be damn sure that, if kids started killing themselves after listening to Ozzy Osbourne, connections would be drawn. You can be damn sure that, if kids started swearing after listening to Eminem, connections would be drawn. So, now that the shoe is on the other ideological foot, connections can damn well be drawn here too. Juno causes teen pregnancy. The film only cost $6.5 million to make and has grossed over $100 million, so maybe they can use some of those profits to help out all the unwed mothers they have inspired.

My mother’s generation had a saying about how you could go anywhere so long as you had a little black dress. I’ve been working on putting this to the test this September. Every year, I tend to feel kinda gothic during the summer and I perk up as soon as it is Fall. I don’t know if this is some sort of Reverse Seasonal Affective Disorder (Disorder is such a judgmental word.) or if I just really like school to be in session, whether or not I am attending it. My birthday is also in August and I tend to use my birthday and New Year’s as times to make adjustments designed to perfect my existence. This Fall, I’ve made a commitment to get out and enjoy what Los Angeles has to offer. So I bought a lot of little black dresses and have been trying new things and enjoying it a lot as it happens. The only weird thing about doing so much which is brand new is that it creates a bit of social anxiety.

The feminist blog/site Say Object referred to me saying,

“One of our favorite feminist thinkers, Amelia G of BlueBlood.net, recently weighed in on the “Captivity” billboard controversy, and some of what she says suprised us (plus, Girl clearly did her research).”

Writer/editor/cupcake fetishist Rachel Kramer Bussel and I were chatting about the Say Object mention and she told me they were having a party.

So Tuesday night, although I knew I was eventually headed to the West Side to help Blue Blood hottie Superna celebrate her birthday, I started all the way on the East Side at The Echoplex in Echo Park. The first event on deck was the The Conversation which was the opening act for Yo Majesty at Lady Party 911. Apparently comedians Jessi Klein and Jessica Chaffin do a weekly show called (I think) The Pages where they intellectualize tabloid fodder in a humorous fashion. The duo moderated The Conversation for this event where the topic was Punishing the Princesses. Basically the idea was to do a feminist deconstruction of why, as a society, we put people like Paris Hilton, Britney Spears, and Lindsey Lohan on a pedestal and then knock them off it. The panelists were Tracy McMillan who I kind of think maybe writes for television, but I’m not sure. Then there was Jen Sincero who was apparently booked because she wrote The Straight Girl’s Guide to Sleeping With Chicks, although Don’t Sleep With Your Drummer is the books of hers I’m familiar with. It would be most accurate I guess to say I’m partly familiar with it, as I was enjoying reading it but was in the middle of it when Blue Blood exhibited at Erotica LA and a couple of members of Jen Sincero’s entourage stopped by my booth and acted so weird that I never got back to reading it. Rounding out the panel was Nina Hartley who, at least for me, I thought needed no introduction. For the event she was billed as Porn Queen Nina Hartley.

Jessi Klein and Jessica Chaffin were good moderators and kept The Conversation flowing. They have a sort of intelligent sex-obsessed vibe that strikes me as sort of Sex and the City, despite the fact that the closest I’ve come to seeing that show is watching a spoof of it on Saturday Night Live. Tracy McMillan says that she thinks masculine energy is all about going out into the world in a hunting sort of way and that feminine energy is about being receptive and gathering things in a powerful way. She says that she thinks Madonna has evolved from seeking masculine power and energy to seeking the feminine side. I think that I am secretly a man. Jen Sincero explained that she wrote her The Straight Girl’s Guide to Sleeping With Chicks because she found herself thirty-five-years-old and in a relationship with a woman for the first time. She said that she interviewed a lot of people for the book and that the people her own age she interviewed were very caught up with issues of sexual identity, but the younger people had more of the attitude of why wouldn’t you just sleep with whoever you feel like. Nina Hartley surprised me by being really awfully cool. I sort of thought I knew who she was in a general way, but she had really interesting insights. She is definitely not just another pornstar with an unconventional relationship and a publicist who claims she is smart. She is very well-spoken and was able to make interesting counterpoints all evening to an audience which was not necessarily porn-familiar or even porn-friendly. At one point, the panelists were talking about some reality show chick who had nude photos of herself posted to the internet and, while deconstructing whether the photos were more simply nude than prurient, someone mentioned that the girl was seventeen. Nina Hartley expressed horror and the other people on stage were like seventeen, eighteen, nineteen, what’s the difference? From a professional performer’s perspective the issue has to do with what is legal and I thought she handled that and other issues really well. The most interesting point she made was when they got to the topic of blowjobs. Apparently, some teen perv researchers recently did some sort of study (yeah, sure, a “study”) of how girls as young as twelve are just handing out the blowjobs these days and boys are not reciprocating. Nina Hartley said that, when she was fifteen, the notion of boys not reciprocating would have been totally uncool, but that she was interested in penises and would have been interested in giving blowjobs. However, she did not know that she could be alone with a boy and have limits on what she would do and she did not feel ready for intercourse.

Now you would think that, having had the site responsible for the event call me a favorite feminist thinker, I would not be experiencing any social anxiety, but that would be inaccurate. I figured I would be just kinda incognito and get to see other people talk. Only my good friend Lange kept hitting me on my cell during the talk because he had gotten to the club for the Superna birthday party an hour early. My cell phone is set so it is really loud when being turned off. It sings an entire song before powering down. I generally only think of how annoying this is at times when it would be even more annoying to play with the cell phone settings. So I just kept hitting mute and texted him where I was. I think the ringing makes the people sitting near me glance over at me and it turns out that one of them is Julia Rubiner with a super different haircut from the last time I saw her at a party at her house. Julia was kind enough to help write some Blue Blood About Us stuff when I was totally hyperventilating and blocked on writing it. I actually would have worked with her a bunch more, only all of her publicist pals were apparently part of the same pact to put a media blackout on Blue Blood projects. Whatever. It was nice to run into her.

Once The Conversation was complete, I got back in my car and drove like a bat out of hell, just long enough to get kind of turned around and lost in Echo Park. Fortunately, my cell phone features the primitive form of GPS where you call your friends and make them MapQuest where the fuck you are. I have nice friends.

I make it over to The Viper Room and meet up with the rest of the Blue Blood posse. The entire downstairs lounge is set for a Superna takeover and she is getting ready to play an all acoustic set with a new drummer. Uber-scenester Casper, of Coyote Shivers band fame, makes me and Forrest Black feel very welcome and we appreciate it. Last time I bought Superna shots, she vomited blood, so I don’t get her any birthday shots, but everyone else does. After her performance, she and Scar spend most of the rest of the night making out.

We hear that Fred Durst is filming a reality show in the upstairs of the club shortly. That seems like the perfect surreal end to the evening, so we all trundle upstairs. Fred Durst is gracious and nice, although I get the sense that, like me, part of him is really into being where he is and part of him is just crawling out of his skin with so many people around, looking and maybe judging. The band on stage for the reality show has a kind of an 80’s hard rock Pat Benetar sort of thing going and I like them, although security requests that I not shoot while they are on stage and I comply because I am considerate like that. When folks are nice to me anyway.

The thing people who are not extremely shy sometimes don’t get about me is that, it is already kind of painful to leave my house. Once I’ve exited the building, it is no more uncomfortable for me to talk to a rockstar than it is to chat with someone I vaguely know. It is all over the agony threshhold in a way and it is all interesting and stimulating in a way, so it is sort of all the same to me. I’m actually most comfortable with total strangers and with people I know very well. People I sort of know make me the most uneasy.

In closing her set, Superna mentions from the stage that people who want to see her naked ass (which must be everyone!) should go to BlueBlood.com. When I go into the bathroom, someone has put a Blue Blood sticker up in one of the stalls. I’m not sure how much longer I’m going to be able to maintain my anxiety level, if the universe is going to be so sweet to me. I hope my art doesn’t suffer.

I attended the Fictional Bloggers panel at SXSW. The panel featured Liz Henry and Odin Soli. They are both active in Latin American political writing, which is an area I admit I don’t follow. I spent some time in Brazil when my mother was stationed there and got some creepy awful illness which caused blood to exit from strange places and caused me to take medication which made everything taste like metal for a month. Also, despite huge natural resources and local wealth, there were homeless children there and that kinda freaked me out. I haven’t followed much in the way of anything Latin American since. Even though I live an easy drive from Tijuana, the only people who generally try to get me to go south of the border with them tend to be professional adult webmasters. These are the sort of guys who just can’t help bribing public officials and finding out where the donkey show is. As a result, despite having lived all over the world and living in Los Angeles now, I have never even visited Mexico for an hour.

Liz Henry’s work these days is working for Socialtext, which is a company attempting the interesting enterprise of introducing wiki technology to the corporate environment. She also blogs for Feminist SF which lists yours truly in their index of female authors of science fiction, so they have to be awesome. Bonus points: Liz Henry wears purple hair well. Odin Soli works for a company called Aveso, which is either a webhost, or more likely a company striving to sell big business on the cyberpunk giftcard accessory of teensy weensy electronic displays. I know it doesn’t seem like this is a more likely thing to even exist, but the Interactive portion of SXSW is about new tech and next time someone mails me a Starbucks giftcard as their holiday thanks for helping them have a good year, I’d like that card to have an animation of ice cubes in a latte. Actually, I’d like to claim ironic detachment on that one, but I really do think miniature electronic displays on cards would be pretty spiffy.

However, what Odin Soli is best known for is creating a fictional blog. And that was the main topic of the panel. From 2001 through 2004, he wrote an online diary of the supposed life of a young woman named Layne Johnson or Plain Layne. Odin Soli explains his concept of the character of Layne on his site saying, “Layne Johnson was an unlikely protagonist for that kind of fame. She was cute but gap-toothed, a twentynothing infowaif laboring in the lower GI tract of Corporate America. She struggled with her conservative Lutheran family and a revolving door of boyfriends — and later, girlfriends. She described herself as “un-out-dorkable” and tended to finish sentences with “hey?” And most of all, she shared her innermost thoughts and feelings with brutal honesty.” He thought it would be an interesting creative exercise, writing in the first person, with a female voice, in a medium like the internet where the readers could interact with the fictional character of Layne. He had previously written a travelogue in this style from 2000 to 2001, but, The Sex Pistols are Alive and Well and Living in Sohatsenango, the travel diary of the fictional female journalist Acanit became ethically uncomfortable for him after the events of 9/11. So he created Layne. Usually, an author would be very pleased if something he or she wrote garnered hundreds of thousands of fans. Unfortunately for Odin, his fans kinda thought Plain Layne was a real person and they cared about her like they would a real person. And, when he grew weary of the creative exercise, his creation’s fans clamoured for more. And, when he actually stopped writing Layne’s story, “her” readers turned sleuth, did some detective work, and outed the real author as being a man. The mainstream press went beserk and Odin had a pretty unpleasant time of it.

Liz Henry, whose BlogHer blog identifies her as “feminist, geek, punk, poet, mom”, made the point that, in situations where fictional journals are being put out there, the “dominant culture can be speaking for people who actually know much more about what it is like to be them.” She also pointed out to Odin Soli that all testimony is undermined if you undermine the social trust. His view was that, if the writing could potentially impact international public policy, then that was ethically dicey, but, even after all he had been through, he seemed to still feel that there ought to be a way to be entertaining with a fictional blog.

I admit I’ve played both LARPs and table top games with the best of them. But, in those situations, everyone knows you are not really a 10th level illustionist/assassin of half-orc descent. To write good fiction, a writer absolutely must be able to express voices besides his or her own. When I had one of my fiction pieces in Susie Bright’s Best American Erotica, I participated in a reading for it at Slim’s in San Francisco. I never do readings because, although I enjoy public speaking, actually reading my work aloud makes me experience agonizing shyness, but, hey, it was Susie Bright asking and she’s a real inspiration. At any rate, the story I had written was from a first person male point of view. I wrote it under my own name and Amelia sure ain’t a boy’s name. There was no question that the story was intended to be taken as fiction. Yet, some people who reviewed the show said that they found it sort of odd to see me up there in my red sequin corset talking about my cock and not meaning a strap-on. But it only struck them as humorously off-kilter, not actually enraging. Because they honestly did know, in a general way, what was real and what was not. Then again, they certainly couldn’t know which characters in my short story were based on which real life people and which parts were wholly fiction and which ones less so.

So how far is too far when it comes to online roleplay? Lots of writers use pseudonyms. Is that wrong? Does it become wrong when they use more than one? Does it become wrong when the illusion is broken? Does it become wrong if they have an actor perform the role of being their pseudonym on book tours the way J.T. Elroy did? One of the reasons so many people felt J.T. Elroy was more a hoax than a pseudonym was because they felt they were having a relationship with a real person, but their friend turned out not to really exist. Another reason people felt J.T. Elroy was so wrong was perhaps because the hoax was so very successful. Is it wrong for someone to pretend in their online profile that they are someone they are not? Is it more wrong if they pretend successfully enough to get laid IRL?

When does fiction bridge the gap and intrude too far into real life?