The brilliant Ellen Von Unwerth shot an extensive pictorial of Lady Gaga in vampire drag for Out. The exclusive Out feature is called The Lady is a Vamp. The shoot styling is credited to someone named Nicola Formichetti who is seriously talented and who Bing informs me is the creative director of Dazed and Confused and is responsible for some of the fashion in Vogue Hommes Japan, V, Arena Homme, and others, as well as of course out. Always fun to discover the work of creative people I have not come across before.

Out calls Lady Gaga “Pop’s newest — and gayest — superstar”. One of the things I like about Lady Gaga is that I feel she is someone post-orientation in her approach to sexuality. She has stated often in interviews that she is attracted to women physically but only has romantic relationships with men. I’m not sure if that makes her super-gay, but maybe I am just feeling cantankerous today about people being so bent on labeling sexuality. I do not feel that an individual’s sexuality generally belongs in a tidy little box with a label stickered on it.

Then again, from an editorial perspective, I’m pleased that Out indentifies Lady Gaga as gay, however she defines herself. Because this gave Out reason to publish a beautiful portfolio of images of Lady Gaga shot by Ellen Von Unwerth. They did a ton of different set-ups and have both black and white and color and a whole spectrum of spooky themes. Lots of vampire and gothic tropes photographed appealingly. Smoky dark eyes, coffin, sunglasses at night, blood, nudity (probably sfw nudity) fangs, and cute skeleton in combat boots. Definitely worth checking out.

It is no secret that I love the vampire genre. I received Honors at Wesleyan University for my thesis on vampire legends as a paradigm for aggressive human sexuality. And I would like the record to show that I will be speaking on exactly that topic this weekend at Vampire Con in Hollywood. I’ll be taking part in the panel programming Sunday afternoon, after the movie nights, and before Vampirella’s Ball (more on this in a moment.) I’m excited that Wendi Mirabella and Lotti Pharriss Knowles have put Vampire-Con together.

The panel I am on is called Hot-Blooded: Vampires & Sexuality and is at 1pm at the Henry Fonda Theater on Hollywood Blvd. It will be moderated by David J. Skal, Author of Hollywood Gothic and V Is For Vampire: The A-Z Guide Of Everything Undead. I’m especially excited that Pam Keesey, who I’m looking forward to catching up with will be on the panel. She is the editor of multiple anthologies of lesbian vampire tales, Women Who Run with the Werewolves: Tales of Blood, Lust, and Metamorphosis, and Vamps: An Illustrated History of the Femme Fatale. Pam Keesey has a very engaging personality, has published yours truly, and once gave me a tour of Forrest Ackerman’s memorabilia collection. Other panelists are Hal Bodner, author of Bite Club: A West Hollywood Vampire Tale, filmmaker Fred Olen Ray from The Lair, actress Celeste Yarnall, best known at a vamp convention for her role in The Velvet Vampire, but who has appeared in everything from Melrose Place to Star Trek, and best-selling author, comic book writer, and filmmaker Donald F. Glut who recently directed the Elizabeth Bathory-inspired movie Blood Scarab. And we’ll be talking about vampire sex.

That evening, at the same venue, from 8:30pm to 1am, there will be Vampirella’s Ball. The music will be provided by DJ Xian and DJ Gary Calamar, music supervisor of HBO’s True Blood and KCRW radio DJ. Vampire Con describes the appropriate attire saying, “Costumes are thoroughly encouraged – Vampires, Victorian, Edwardian, Steampunk, Bohemian, Tribal, Gypsy.”

Forrest Black and I will have a location studio set up to photograph people involved in the event, revelers who most exemplify the themes of the event, and our close personal friends (i.e. not everyone, but photographic subjects best for doing press coverage on Vampire Con.) If we know you from online, please come find us on the roof Sunday night (or at my panel during the day) and say hello and where we know you from. I’m looking forward to running into tons of cool people at this event. Our favorite photos from the evening will of course appear here on BlueBlood.net.

If you are alt-identified, yet want Kris Allen to beat Adam Lambert in this week’s American Idol finale, then you are complicit in your own oppression. Rebels who want Adam Lambert to lose must just hate themselves.

People like to fuss about sex and sexuality, but the place where Adam Lambert is actually unusual is that it is rare to see new musicians with serious larger-than-life star quality in the spotlight today. I just watched a top 20 video countdown and Eminem was just about the only one who would turn heads in a room he walked into, on force of presence alone. So it is exciting to see someone who has the right counterculture vibe with a mix of subcultures gothic, punk, hard rock, rockabilly, emo, scene and more blended together for something unique and compelling. To anyone who states people like Adam Lambert are a dime a dozen and FOX is just not in-the-know, I have to say there are a lot of people with some of that general sort of style, but not a lot with that vibe and that level of both charisma and musical talent.

To receive the same kudos as someone who comes across more normal and mainstream, I often feel like I have to work at least twice as hard and produce work which is twice as good. I would be fine with this, except for the part where the whole process plateaus early. Allow me to explain. In a way, simple badges of flamboyance and theoretical nonconformity, such as tattoos or unnatural hair color, have become fairly common by 2009. Someone who truly has an artistic and offbeat spirit is still likely to have to be better than the next guy to achieve the same recognition. Unfortunately, people, who identify as somehow alternative or creative or freaky, tend to want to root for the underdog. This means that, as soon as one of their compatriots is about to come over the top and succeed for real, they get an enormous backlash from former supporters. So I see all these people, who were super excited by Adam Lambert’s early successed on American Idol, who are now not into him because he is perceived as the obvious front-runner; they think maybe they like the other final two member Kris Allen because he is the underdog.

Kris Allen is an appealing enough performer. In particular, I liked his performances of “She Works Hard for the Money” and “Heartless”. I most likely would not flip the channel if a music video of his came on. I actually think American Idol fans got it exactly right for the AI8 final two to be Kris Allen and Adam Lambert. (Alison Iraheta might be more demographically similar to Adam Lambert, but Kris Allen is a more ready-for-primetime performer.) Kris Allen is not the underdog to win this contest because he is somehow disadvantaged and just needs a little love and support. Kris Allen is not some sort of stray spaniel puppy in need of a home. Kris Allen is the underdog to win the American Idol competition because Adam Lambert deserves it far far far more than he does. Some of the web chatter about the final American Idol vote suggests more that people want to vote against Adam Lambert for being successful more than they want to vote for Kris Allen for any positive reason.

Opinionated and forthright judge Simon Cowell has stated in interviews that he would like to see Adam Lambert win. Led Zeppelin does not normally permit American Idol to use their songs, but they gave permission for Adam Lambert to sing “Whole Lotta Love”. U2 does not normally permit American Idol to use their songs, but they gave permission for Adam Lambert to sing “One”. When Slash from GNR mentored the Idols, he posted to his Twitter that he was especially impressed by Adam Lambert. When Katy Perry performed on the show, the legend on the back of her Elvis cape read “Adam Lambert”.

It seems like if Simon Cowel, Paula Abdul, Robert Plant, Bono, Slash, Katy Perry, and a host of other notables all feel strongly that Adam Lambert should win American Idol, then he should be a shoo-in sure thing. But he is not. The reason he is not is that inexplicably hot people with smudgy eyeliner and leather jackets and big boots hate themselves. Now nonconformity does tend to get push-back from the overculture, so I understand why many bohemians do not necessarily expect to always get praise. Getting praise, however, does not mean that you lose your individuality merit badge. You should expect to be able to win people over, when they see what you are really like.

No disrespect at all to Kris Allen, but Adam Lambert deserves to win American Idol. Adam Lambert earned the win. I know, I know, rebels figured out that 19E and the powers-that-be want to have Adam Lambert win, so it would be (oi oi) rebellious to vote for Kris Allen instead. A good rebel is ready to take the power, not just cry like a baby over whoever seems to be an authority. Voting against Adam Lambert is not sticking it to the man; it is just building a glass ceiling for your tribe. Hopefully Wednesday night still ends up being a coronation for Adam Lambert.

So Linda Holmes of MSNBC just posted an article where she called FOX’s American Idol front-runner Adam Lambert “self-indulgent and not particularly creative”. I know FOX and MSNBC are competitive with one another, but I just think Linda Holmes is way off-base. She goes on to say:

“But what, exactly, is the Adam Lambert constituency of the future? He would be popular with fans of … what? The judges seem to think that the answer is “Twilight,” but what kind of sense does that really make? . . . But before anyone goes anointing him some kind of highly marketable future star, take another look at that performance of “Ring Of Fire,” and ask yourself whether you’d hear that on the radio.”

First off, I feel like Twilight and Adam Lambert are two of the only major mainstream pop culture phenomenons of the new millennium which actually are made for an incredibly underserved demographic. When I look for Blue Blood appropriate subject matter which is new, Twilight and Adam Lambert are two of the only things on the radar there. The Twilight soundtrack has been in the Billboard top 10 for twenty-two weeks now. Carter Burwell’s freaking score for Twilight entered the Billboard charts five weeks ago and is still hanging in there. So, if MSNBC doesn’t see the relation between Adam Lambert and Twilight and what a lot of people would like to be entertained by, they need new pop culture analysts. (I’m expensive, but I invite them to get in touch.) American Idol winners also hold multiple spots in the current Billboard top 100 with Kelly Clarkson, David Cook, and Carrie Underwood all charting. So American Idol fans do buy music.

Secondly, turn on the radio or MTV and listen to the most recent Trent Reznor Nine Inch Nails or Marilyn Manson David Bowie or Ministry or Combichrist or VNV Nation or Depeche Mode or Godhead or KMFDM or Marc Almond or Sisters or Mercy. Oh wait. You can’t. If you like either a goth-industrial and/or glam sound or a goth-industrial and/or glam look, you probably still don’t know which of those acts have new albums out. Because radio is not playing them. Yet many of those artists still movie significant units without radio airplay or MTV support.

Yet the MSNBC writer goes on to say:

“For all the discussion of Adam’s originality and freshness and relevance, his aesthetic is an inky-haired, nail-polished cliché — perhaps appealing and perhaps not, but certainly nothing you couldn’t see in New York, Seattle, or, for that matter, Akron. The sulky glower, the whimper-face, the moaning, the Sad Elvis sneer … there’s nothing wrong with it, per se, but to praise it as particularly creative screams, “I do not watch MTV.””

Does Linda Holmes watch MTV? I love music videos and I get multiple MTV channels, Music Choice downloads, and FUSE. And I’ve been publishing work with a dark glam gothic vampiric aesthetic for more than sixteen years and doing rock journalism, including covering the 80’s glam scene for a bunch of years on top of that. So I feel pretty qualified to say that MTV has very little to offer those who like inky-haired and nail-polished men. In point of fact, I must sorrowfully admit that the only options for that general taste are Fall Out Boy, My Chemical Romance, and Rev Theory. Maybe Good Charlotte and Avenged Sevenfold if any of the video channels were currently playing them, which they are not. I would also include Queens of the Stone Age based on musical talent and approach. And that is about it. Not that the music and merch sales there are poor.

I don’t have an iTunes account at the moment, so I can’t confirm this, but I hear that Adam Lambert’s performance of the Tears for Fears song “Mad World” was a top download. The voting on American Idol this year breaks a new record every episode. And both Vegas bet-makers and internet data analysts are pretty sure Adam Lambert is going to win American Idol this year. So somebody is interested in Adam Lambert, beyond the average American Idol audience.

I didn’t really have a lot to say about Adam Lambert’s performance of “Mad World” last week on American Idol, but, in light of today’s MSNBC article, I’m going to comment on it now. The show ran a bit overtime, but I always set my TiVo to record a few minutes extra at the end of live shows like sporting events and at the end of shows on networks like Comedy Central, Showtime, HBO, and NBC who have trouble telling time. So, unlike a few million Americans whose TiVos were not set for extra time, I saw Adam Lambert’s stripped down “Mad World”. He did the song bathed in blue light, without costuming, and with very little motion, and it came off powerful. Personally, I like guyliner and swivel hips, but I understand entirely why sometimes it is necessary to demonstrate that the eyeliner and pelvic moves are sizzle on an excellent steak. Otherwise, a genuinely talented performer who employs costume and drama can be dismissed as all sizzle.

The “Mad World” ode to teenage depression and alienation was originally written and recorded by Tears for Fears in 1982. That’s a bit before my time, but I was still a bit surprised that I had not recognized it when Adam Lambert performed it. Apparently, the version he sang was one redone for the Donnie Darko movie. I’ve never seen Donnie Darko, but I understand it is an aesthetically pleasing and depressing update of the James Stewart vehicle Harvey. (Not really, but they both have big rabbit phookas advising the main character.) I’m entertained that Richard Kelly, the writer/director of Donnie Darko, is one of the producers for the upcoming Tucker Max movie, I Hope They Serve Beer in Hell. (If only Tucker Max wore eyeliner.) At any rate, Richard Kelly had wanted to use a U2 song for the closing credits, but U2 were too pricey to license, so he had a gent named Gary Jules cover the Tears for Fears song instead, in order to stay within budget. The spare and emotional Gary Jules version turned out to be very popular and successful and has been used in a number of sountracks since.

So technically, Adam Lambert was supposed to perform a song on American Idol from the year he was born, 1982, but he kinda sang a song from 2001ish when Donnie Darko was released. But it did sound and look nice. Tears for Fears bassist Curt Smith who sang the original synthpop version of “Mad World” tweeted on his Twitter:

“Morning tweeps, still spring break in the Smith household. Ton of twits and e’s about Adam Lambert’s Mad World, for the record I thought his vocal performance was pretty great bar a wobbly last note. Sobering that the original was released year he was born. I must officially be an old man ;)”

I guess Curt Smith did tweet from TweetDeck, instead of Spaz, which is what all the cool kids are using, but still:

From MTV, Tears for Fears “Mad World” lyrics by Roland Orzabal and originally sung by Curt Smith:

All around me are familiar faces
Worn out places, worn out faces
Bright and early for their daily races
Going nowhere, going nowhere
And their tears are filling up their glasses
No expression, no expression
Hide my head I want to drown my sorrow

No tomorrow, no tomorrow
And I find it kind of funny
I find it kind of sad
The dreams in which I’m dying
Are the best I’ve ever had
I find it hard to tell you
Cause I find it hard to take
When people run in circles
It is a very, very

Mad world
Children waiting for the day they feel good
Happy birthday, happy birthday
Made to feel the way that every child should
Sit and listen, sit and listen
Went to school and I was very nervous
No one knew me, no one knew me
Hello teacher tell me what is my lesson
Look right through me, look right through me

Blue Blood hottie Serena Toxicat recently mentioned that she would be showing thirty of her art pieces at the Blow Gallery in Berkely, California. If you are in that neck of the woods, you can stop by 2112 Berkeley Way, Berkeley, CA 94704 for an evening of hotties like Serena Toxicat, art, and possibly some free booze. Most gallery shows have free booze. I try not to examine why too closely. Here you can examine the conversation Serena Toxicat and I just had about art.

Amelia G: What first got you into creating? Were you always creative?

Serena Toxicat: Apparently as a 5 year-old my painting looked like pointillism. My 1st grade art teacher raved about the stuff. After my dad saw how much I liked to color and paint, his best friend bought me a set of acrylics and I never looked back, except to kick my own ass to make more. I do so many things in the world of art and performance that my productivity in any one area tends to ebb and flow.

Amelia G: What are your favorite media to create in and how to you feel writing vs. visual arts compare for expressing yourself?

Serena Toxicat: I love acrylic and just developed a system whereby I draw in marker over an acrylic base. I also like making sculpture with found objects and occasionally indulge in photography. I made some mixed media pieces, with b&w images of my pointy little Isis as the central focus. Most intriguing might be my channeled oracular pieces. I close my eyes and let the spirits paint with my hands. You should feel the energy coming out of those things!

Creating is creating, and if I’m happy with a piece of art I feel the same sense of completeness I do with my writing. Usually the visual stuff goes faster. Well, compared to a book it does!

Amelia G: Who is curating the Blow show and how did you get involved? Does it have any particular theme?

Serena Toxicat: Amy O’Rourke, one of the stylists, curated the last two shows. It is very eclectic – everything from artistic nudes to hanging paper sculpture – and she is quite happy about that!

Amelia G: Is it true that the Blow gallery is actually a hair salon? If so, how does that work? Do they get the sort of clientele where the art and hairstyle work have good synergy and complement one another?

Serena Toxicat: Yes! And they do great hair. It seems to work well for them, this meeting of the aesthetic worlds. The clients appreciate it and many come to the shows and buy or just enjoy. Blow has a new opening every 10 weeks with fantastic catering. They have been combining hair and showing art for as long as I can remember. I discovered them while searching for a colorist. When I found David, who has since moved, we developed a relationship based on bright horizontal stripes (in my hair) and mullets (as material for many a delirious joke).

Amelia G: When to when can people see the show? Anything in particular, specific art piece of yours, event feature, other artists showing with you, whatever, which you think people will extra enjoy?

Serena Toxicat: It starts Sat. 4-4 and closes June 7. I’m really excited about my bright green and orange pieces. They address important issues, like depression, anxiety, eating disorders, etc., and feature multicultural female (so far) subjects dressed in gothy striped frocks.

I also hope people get off on my socially conscious and poetic propagand[iv]a video. I play a newscaster and talk about everything from Bush and Obama to animal activism and being nice to hookers. Jim Stipovich has been showing his nudes since the 70’s. I’m sure he’ll bring out his following out of the proverbial woodwork and make many new fans! I also love Shaista and Kelly’s stuff. Fun!

Okay, I’d like to take this opportunity to make a public service announcement. Trent Reznor announced that he was giving away free downloads of his new Strobelight album, produced by Timbaland, on April first. This seemed both hilarious and topical as Blue Blood has covered goth-industrial music since 1992 and even the Blue Blood precursor BLT ::: Black Leather Times had press coverage in that vein.

Although the email collection form on the Nine Inch Nails site did not request any financial information, NIN.com did bear the statement, “Your credit card will be charged $18.98 plus a $10 digital delivery convenience fee.” Apparently there are a lot of savvy consumers out there because, after we posted the feature and told Blue Blood’s sixty thousand close personal MySpace friends about the NIN article and opportunity for the download, we were deluged with messages and emails from angry consumers.

It seems that a lot of you are able to figure out from the fine print that you may not be getting a free lunch. You are apparently not capable, however, of reading a calendar. Allow me to repeat my previous statement with needed emphasis: Trent Reznor announced that he was giving away free downloads of his new Strobelight album, produced by Timbaland, on April first. The Strobelight album download announcement was an April Fool’s joke and I thought it was an awfully witty one, particularly when you read through the track listing.

You know how you are clever enough not to be sold on a refreshing and tasty beverage by some slick television commercial with hot chicks in it? And you know how this means that the beverage industry has sent a fleet of hot chicks out to bars to pretend they like you while telling you they totally love Bacardi or Red Bull or whatever? Or did you think you suddenly turned into more of a chick magnet, like it used to be that gothic and punk girls loved you, but now trim blondes seem like they crave your dick and it is awesome. Although you have yet to close with one.

Basically, my comment on this is that sometimes, when you try to hard to be a savvy consumer, you miss the actual joke. Please stop sending me hate mail over your inaccurately perceived concerns about Trent Reznor’s fictional album release. It’s a joke, an April Fool’s prank. Trent Reznor’s comment on this is, “I may have to actually write “pussygrinder”! Anybody have Sheryl Crow’s #?”

Twilight is out on DVD this week and, if you enjoy the tropes of cool sexy vampires, then Twilight is a fun watch. If you were just wondering whether or not to catch it on DVD or On Demand, then all you really need to know is that the movie has a pleasing cold color palette, nice-looking cast, interesting styling, creative quality directing, and a solid storyline with no plot holes and a satisfying ending. If vampires or lack of promiscuity or overwrought sexuality fill you with rage, then pass on Twilight, but otherwise it is enjoyable and hotter than I would have expected.

I admit that I would have enjoyed Twilight most between the ages of fourteen and fourteen. Yes, I know I said fourteen twice, but the target demographic for the movie is pretty specific. Realistically, the Twilight movie is probably aimed at girls aged twelve to nineteen, but it is just well enough done that it reaches beyond its core target demo. Not to put too fine a point on it, I think one of the reasons that vampires are so alluring to teen girls is that they are dangerously seductive, but they don’t put out particularly often. There is the aura of sexual excitement without the necessity to know precisely what to do with someone else’s private parts.

I wrote my thesis on Cross-cultural and Historical Vampire Legends as a Paradigm for Aggressive Human Sexuality. Keep in mind that I left home to go to school as a young jailbait teen. I found it startling that, all of a sudden, there were people around me who had this attitude that it was normal to have actual sex sex sexual intercourse with anyone they hooked up with. I was more of a go-getter than my peers in terms of acquiring the partners I wanted, but, even once I was entirely ready to have sex, I never got to the point where I wanted to have it immediately with someone I dated and I never got to the point where I wanted to have it with everyone I remotely liked. (This is inconvenient today, given that the circles I travel in include many people who treat fucking like a handshake i.e. a casual social interaction it is extremely rude and maybe even hostile to reject.) Heading off to university at sweet sixteen and being all hormonally hopped up, I was probably considered a bit of a menace to the people around me.

One of the aspects of Twilight which I think makes many adults respond in a viscerally negative way is its accurate portrayal of teenage female sexuality. I was more sure of what I did and did not want than the average teen, but sometimes the responsibility falls on the shoulders of the 100 plus year old vampire to say it is better to wait. One of the nicest scenes in the movie features Kristen Stewart’s Bella Swan and Robert Pattinson’s Edward Cullen making out in her bedroom. He pulls back saying he mustn’t lose control with her. She convinces him not to leave and they sit and talk and have an actual (if you will forgive the word choice) human interaction instead of just progressing to more physical intimacy.

Nonetheless, it is uncomfortable to realize that there are giant media corporations marketing sex to teenage girls. In the kickass opening episode for season 13 of South Park, episode 1311 “The Ring” brings up this issue to very comic effect. In particular, the Trey Parker-voiced Mr. Mouse who heads up Disney had me laughing out loud when he had to fly into Colorado to do damage control when the Jonas Brothers want to take off their purity rings. For those of you who, like me, had been blissfully unaware of the purity ring fad, the idea is to sell sexually stimulating media to young teens and then also sell them purity rings which are jewelry they can wear to remind themselves to be pure of heart and abstain from sex until marriage. In “The Ring”, when the Jonas Brothers want to take off their purity rings and make what they do just about their *cough* music, Mr. Mouse breaks it down for them, “You have to wear the purity rings because that’s how we can sell sex to little girls, ha, ha. See, if we make the posters with little girls reaching for your junk, then you have to wear purity rings or else Disney company looks baaaaaaaaad, ha, ha.” One of the many reasons the original Blue Blood magazine in print featured only real life couples doing what they would actually do on purpose in real life is that I think relationships are a good and desirable part of human sexual interaction. I hope there is some middle ground between romance-loathing, anti-relationship, indiscriminate swinging and the side-splittingly ridiculous drivel spewed on sites trying to sell teens cheap jewelry to be pure. So far my favorite comedy routine on a purity ring site is entitled, “The unimaginable consequences of Sexting”. Did I mention I’d love to see some common sense become more common?

Returning to the vampire motif in Twilight, why is this movie loathed by so many people who love them some True Blood, Interview with the Vampire, The Hunger, Near Dark, Lost Boys, and just about every other cinematic vampire ever created? South Park knows what is up once again. The brilliant season 12 finale of South Park, episode 1214 “The Ungroundable“, spoofed the pain of outsiders not being able to tell the difference between “goths” and “vampires”. I admit to knowing pretty much nobody, regardless of their actual subculture allegiance or tastes, who would claim self-described to be a goth or vampire, but South Park really did illustrate the issue there.

How does one react when something which felt like it was for you and your community suddenly become for other people? If a band you love becomes popular, do you stop listening to it when too many of its fans are people you feel could not understand the band’s message? Or say, if, for example, you and your friends have been having fabulous parties, reading obscure books, listening to obscure music, having creative sex, dressing flamboyantly, and producing media of your exploits, what do you do when a bunch of people with very different values start aping everything you do? Do you change and develop new interests or reject your own past? Do you reject the trendier portions of what is new? Do you examine which new media appears intended to destroy your culture and which new media is essentially a neighboring and perhaps friendly country?

The South Park answer is to burn Hot Topic down. Without inciting to riot, I’m comfortable with a rejection of Hot Topic because it seeks to destroy the very culture it serves; Hot Topic seeks to make the whole notion of enjoying gothic anything into some sort of teen fad that everyone is supposed to grow out of. Twilight just happens to be a teen fad and not one which its fans will necessarily all grow out of. Perhaps Twilight encourages abstinence, selectivity, or merely taking it slow, but I have trouble finding fault there, especially given the target demographic of teenage girls. I have not yet read the books by Stephenie Moyer which the Twilight movie is based on, but I do not believe that she or screenwriter Melissa Rosenberg from Dexter and The O.C. were trying to come up with a storyline which attacked gothic culture in general. (I reserve judgment until I’ve read the books and learned more about them.) I do not think director Catherine Hardwicke, whose previous directing credits include the controversial Thirteen, is hoping that having more people get into the whole vampire thing is going to be awesome for getting rid of gothic subculture. Prior to directing the edgy Thirteen, Catherine Hardwicke was primarily a production designer who worked on films from Tapeheads to Tank Girl. No surprise then that Twilight has such lovely aesthetics.

To recap:

– Twilight is entertaining if you like vampires.
– Teen girls do have discomfitting sexuality.
– Vampires are sexy, doubly so to teen girls.
– Purity rings are laughable, but abstinence and selectivity are not bad.
– South Park is sometimes very funny.
– Hot Topic sucks, seeking to make gothic culture juvenile and disempowered.
– Twilight invites everyone to enjoy a darker aesthetic.
– Twilight is out on DVD and On Demand now.

I’ll get back to y’all at such time as I develop a more complex opinion of Twilight.

Last month, Blue Blood made a submissions site live for models and photographers and writer/photographers to submit to various Blue Blood projects, mostly BlueBlood.com and, to a lesser extent, BlueBlood.net. Blue Blood enjoys publishing a variety of body types, both male and female and in between. The most important thing for modeling for Blue Blood is that someone have that certain something, star quality, individuality, passion of personal expression to put in front of the lens. The original Blue Blood magazine in print featured exclusively interactive pictorials of people who were lovers in real life, who would be doing what they were doing, whether or not a camera was present. Non-feature photos in Blue Blood in print were generally related to specific entertainment news or how-to articles.

BlueBlood.com features pin-up and interactive erotica photo sets where all the images in a particular gallery will be of a person or couple, in one setting, in a series, which generally tells some sort of story. BlueBlood.net, of course, features articles and galleries about cool events, genre movies, goth-industrial music, punk nightclubs, interesting clothes, and similar fun stuff i.e. BlueBlood.net publishes photo galleries which are about a particular topic of interest. You would think that more photographers would shoot entertainment news, fashion, and music work than shoot nudes, but apparently that is not really the case. I’ve found that the most common question I get from interested photographers is what the galleries on BlueBlood.net should be about. Somehow, once the naked aspect is removed, many of them don’t know what the photos are about, other than that there is a photographer who happens to take pictures. I am baffled that there are people who consider themselves Photographers with a capital P and have no idea what their work is supposed to be saying.

I entirely understand, however, why many models are confused by the submission process and gunshy about asking questions. Running a site can be stressful and there are never enough hours in the day, but I’m genuinely kinda weirded out by how many site operators or model coordinators hate to answer questions from models. I’m always happy to answer anyone I might work with’s questions beforehand. It makes me ballistic when people try to go back on their word, once they have made an agreement, but, to me, that just means everything should be entirely clear from the beginning. The most common question I get from interested models, once they have read the Blue Blood Photo FAQ is almost the opposite of the most popular photographer question. Models are puzzled by the whole nudity vs. clothes thing. Some models don’t seem to get that they have to keep their clothing on for BlueBlood.net editorial. By the same token, any model who has even considered modeling for a membership site besides BlueBlood.com wants to double-check precisely what she must do on camera and what she must not do. This is because of the way these models have been pressured to do either less (nice girls only do conservative nudes) or more (all the cool girls give strangers blowjobs) by sites they have considered working with. I really don’t get the thing where some sites feel like everyone has to be fully nude but nobody is allowed to (heavens to Betsy!) insert anything or where some sites have the attitude that anyone who hasn’t fucked everyone else on it shouldn’t be allowed in the clubhouse. It really bothers me that there are models who go along with this conformity BS and peer pressure other models to only do exactly what they have decided is okay for them personally, no matter whether other models personally prefer to be more conservative or more extreme. These are not decisions which should be made via groupthink.

If everybody on BlueBlood.com was doing the exact same level of nudity or naughtiness, with the exact same amount of explicitness or lack thereof in presentation, that would be as antithetical to the point of Blue Blood as if everybody looked exactly the same. (You are not required to have tattoos either; they are optional and only a plus if you got them for a meaningful reason or they are quality ink or ideally both.) Of course, all publications have to have some sort of structure, a certain promise to the reader of what they will find inside. However, any pay site with a bunch of chicks who look the same and apparently all want to get the exact same amount naked is just pandering to a fetish and it is not punk and it is not about freedom.

Many of Blue Blood’s photographers and writers and models, and certainly your truly, have fetishes too and naturally they are more likely to be represented in the variety of BlueBlood.com content than kinks various creative team members are less into, but Blue Blood doesn’t have all the hang-ups so many of the sites seem to about nudity. The whole point is that it is about individual expressions of sexuality and sensuality. Individuality is key. If all a photograph does is hit a format, that is not art, just commerce. If a photo utterly fails to hit any format, that is not art either, just wanking. For photography to be art, it must both express something and communicate something.

In case some of you are getting too much work done, there is a web comic I’ve mentioned in the forums before, that I’m going to remind you of again now. The xkcd comic strip is probably most accurately described as tech culture humor. At a time in history when so much of the population uses the internet so extensively, tech humor probably has a pretty broad audience though. The site could be more cohesively designed, but the strips are some of the most insightful and hilarious on the web. The “Someone is wrong on the internet” panel is pretty much my favorite thing I have ever seen in a comic strip and I think of it often. Normally, I’d talk a bit about genius strip creator Randall Munroe and how his strips started life as an archive of scans from his math notes and who he is and all, but his bio is just so awesome that I feel like paraphrasing its info would be leaving something out:

I’m just this guy, you know? I’m a CNU graduate with a degree in physics. Before starting xkcd, I worked on robots at NASA’s Langley Research Center in Virginia. As of June 2007 I live in Massachusetts. In my spare time I climb things, open strange doors, and go to goth clubs dressed as a frat guy so I can stand around and look terribly uncomfortable. At frat parties I do the same thing, but the other way around.

That is sufficiently awesome that the only thing I have to add at the moment is that I’m buying myself a “Stand back, I’m going to try science” T-shirt if I finish everything in my inbox tonight.

Although generally less unsavory than the sorts of webcomics I tend to like best, Weregeek is a genially humorous comic by the very talented Alina Pete. It is the sort of thing you will appreciate best if you think Cylon when someone says Scilons.

The comic gets its name from its normal guy Mark. Mark is working on coming to terms with his taste for geeky fun. Hence Weregeek.

In today’s comic strip, Mark, who is in the process of coming over to the geek darkside, is chatting with more classic geek and DM Dustin. A gothic girl has been aggressively hitting on Dustin in their coffeehouse hangout, but he is clueless. Mark gives him some clue, but is a wee bit concerned when Dustin says the goth girl wanted to run a character who is a Gungan Sith Lord.

Footnote: Jar Jar Binks was a surprisingly poorly-animated cg and possibly racially-offensive character in one of the Star Wars movies which don’t count. Everyone knows Star Wars is for action figures, and Jar Jar Binks was a lame bid for a non-ironic plush toy. Jar Jar Binks was a member of the amphibious “Gungan” species from the Naboo planet. Sith Lords, of course, are the sexy Jedi types like Darth Vader. It is no surprise when a goth chick likes a powerful bad boy who has gone over to the dark side. There has been an extensive, largely tongue-in-cheek movement in online fandom to demand a Gungan Sith Lord from George Lucas. I think the feeling is that, if he feels compelled to eff up one of the greatest science fiction movie franchises of all time, he might as well really go for the gusto. Running a Gungan Sith Lord character in an RPG game would be pretty annoying, especially if the gothic girl talked in the horrible Jar Jar Binks Gunganese dialect e.g. “Meesa so hornyem. Meesa loven yousa longisha timen.”

Personally, I believe the original Star Wars was primarily directed by his ex-wife Marcia Lucas and George Lucas just got credit for it, the same way everyone now knows that best-selling fan favorite author Alan Dean Foster wrote the original Star Wars although George Lucas accepted awards for both directing and writing. I believe the more recent Star Wars movies appear to present a different vision because they are genuinely put together by entirely different people.

If you can tell me how to improve my Gungan dialect, or you just got heated up over what I wrote about credit for Star Wars, or if you actually have any sort of developed opinion on any of these Star Wars issues, you’ll probably enjoy Weregeek.