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Halloween in Hollywood

by Amelia G : January 19th, 2008

Halloween Perish EdenSpecial occasion nights in Hollywood generally involve a lot of party-hopping. Sure, there are the people who have to get back in their car and go to the next event every twenty-six minutes because that is how long it takes for the last bump of cocaine to wear off. But it really does make sense to hit as many shindigs as possible in an evening. First of all, Los Angeles is such a vibrant city with so much going on at once, at any given time, especially on a holiday like Halloween. I know I don’t want to miss a thing. The hardest thing about going out at night in Los Angeles is blow-drying my hair. And the whole having to wear pants when outside of the house thing. Once I’m not naked and I’m wearing eyeliner, I feel like I might as well get full value out of having gotten dressed and a lot of my fellow Angelenos feel the same way.

Los Angeles tends to have a dress code where it is important to look good but not to look like you tried too hard. This means club-goers do not dress up as much here as I might enjoy. Happily, when it comes to any special event like Halloween, the dress-down rule goes out the window and everyone is encouraged to really do it up.

For this past Halloween, Blue Blood sponsored a whole lot of parties, in a whole lot of cities, in addition to doing a full on media sponsorship arrangement with the Hex Halloween event in Hollywood. My old housemates Perish and Eden Muse (pictured above and in our Halloween picture galleries), were the flyer models and Perish’s costume concept was to embody the future. “For …

Sit there and say my hair ain’t luxurious, when you know that it is, bitch.

by Amelia G : November 18th, 2007

Katt Williams Pimp Chronicles Pt. 1I have a new guru. I just watched the Katt Williams Pimp Chronicles Pt. 1 on HBO. Well, specifically on my TiVo of an earlier HBO broadcast. Anyway, I have this impediment to increasing my personal success as briskly as my work ethic should guarantee. Specifically, every time my accomplishments start coming really fast and furious, in a way which is visible to others, the haters come out. I would like to claim I am immune to haters and their low end bottom-feeder tactics, but I’m not.

I do what I do from a place of love. It sounds corny, I know. But, as I’ve said many times in the past, the initial print issues of Blue Blood were in many ways a love letter to the scene I had become a part of. The DC scene of the early 90’s was this vibrant nexus of punk, fandom, and cyber cultures. In that part of the world, we were less concerned with the genre-quibbling of bigger entertainment business cities. Goth-industrial music was identified as sort of a subset of punk there. Knowing who both Gary Gygax and Wendy O. Williams were was a plus.

The city produced both Chemlab and Fifth Column, and Fugazi and Dischord, and Henry Rollins and 21361 Publishing. Although I was born in London and have lived on three continents, in half a dozen countries, and a whole bunch of states, in many ways DC is the city which most created me as an artist and, as an extension of that, created Blue Blood. I knew all these incredible, artistic, fabulously creative people who just needed a venue to showcase their brilliance. And …

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