It seems like it should be unnecessary to point out that models are human beings, but a lot of people seem to have difficulty with this. Nobody is as beautiful as their best photo or as hideous as their worst. Ugly may go to the bone, but beauty is still only skin deep. All true.

The nature of digital interaction makes the relationship of humans with their images more difficult. Once upon a time, my unsavory pals and I could hang out at our punk rock group house and, if someone said a model in some of the trannie porn in our living was not feminine enough, nobody’s feelings were going to get hurt.

Today, a lot of people seem to be polarized in their responses to imagery, in particular in their responses to sexual imagery. On the one hand, there are people who callously and casually critique a model’s weight or body parts in public, even though the human being in those photos is going to see those comments. On the other hand, there are people who, on some deep lizard brain level, feel that, if they have seen someone’s hoo-ha, even someone who was paid to show it to them, that person is practically their mate.

It does not make you respectful and/or feminist, if you pathetically slavishly agree with everything someone ever says or posts because you have seen naked pictures or video of them, especially members of your gender of preference.

It does not make you intelligent/ and/or nonconformist, if you aggressively criticize all erotic media and the people who appear in it, especially members of your own gender.

Someone can appear in updates on your favorite website or the boxcover of your favorite DVD or the cover of your favorite magazine. You can appreciate their work and that is awesome. But they probably are not rich for life off of the work you enjoyed (or didn’t). The world has enough pain in it. Don’t be cruel to someone who was generous enough to share their naked selves with you. Just don’t be a lapdog either. You know that whole rather walk beside me and be my friend thing? Treat models like human beings.

In the internet age, most of us become somewhat reduced to our avatars and how we come across when typing. Nonetheless, models are still human beings and no more or less human, no more or less right, no more of less deserving, for having had more pictures taken of them than the average person.

A lot of models are afraid to go interact in public because people online can be so critical and most models know they are not as beautiful as the best photos where they were lit well, made up just right, dressed in clothing they may not own, shot with good composition, and post processed to perfection. In real life, people tend not to say the sort of rude things they write when in keyboard warrior mode. But, after seeing one’s best efforts nit-picked to death online, not just models, but most creative people find it more difficult to interact IRL.

Photos of models or real world parties or whatever are posted here from time to time. If you have something nice to say about them, by all means do. If you don’t have something nice to say, please don’t fake it, but don’t go out of your way to be a dehumanizing cruel jerk either.

AltPorn.net interviewer Beda Hoydenish writes:

“Everyone knows Amelia G runs the Blue Blood empire and also does some of the photography and writing for it. Here on APN, we’ve featured photographs she has shot for Blue Blood many times and we’ve mentioned her writing once or twice. (You can also see the interview we did with Amelia G five years ago — Ed.) I write for APN and I have all the old Blue Blood print magazines from the 90’s in plastic bags with cardboard backing, so I thought I was pretty aware and I still found a lot on Amelia G’s new AmeliaG.com site to both inform and entertain me. In addition to running the business end of Blue Blood and working as an editor for many projects, Amelia G has had hundreds of photo sets published and thousands of articles. Amelia G has done writing and/or photography for all the major adult publishing houses including Playboy, Penthouse, Flynt, Crescent, Magna, and AVN, plus niche magazines including Marquis, On Our Backs, Skin Two, Tattoo Teasers, Fetish, Extreme Fetish, $pread, and of course Blue Blood. Her fiction has appeared in Best American Erotica, Best S/M Erotica, and Best Women’s Erotica and dozens more books. But she still took time out of her busy schedule to give APN this exclusive interview.

APN: Blue Blood magazine in print was really ground zero for jump-starting the whole altporn genre and you’ve managed to maintain a top ranking for Blue Blood for more than sixteen years. To what do you credit your remarkable success and longevity?

AG: Thanks. I always hope the universe will smile on me for hard work and doing the right thing, and sometimes it does. A big advantage Blue Blood had in coming to the web is that the magazine was always subscription-driven and we had free sites for the community for years before we launched our first membership site. We actually had paid members before we had even actually launched the first pay site because we tested out a banner rotation for a few minutes and people saw it. I really appreciate the support we’ve gotten over the years and try to really put a lot back into the scene and into having . . .

Cool promo pic of yours truly by Forrest Black. Read the whole interview by Beda Hoydenish on AltPorn.net.

So I registered the domain for my name a while back, when the internet still had a bit of that new web smell. I’d been doing work more and more in the digital space for a few years then and I would end up having to pay off a cybersquatter for the BlueBlood.com domain, so it seemed sensible to register everything near and dear to me. Then nine more years went by. Some of my favorite sites have grown out of Forrest Black registering domains while drinking beer and then me feeling that, once it was registered, the domain had to have a site on it. For a long time, I just had a link to a hosted journal on AmeliaG.com, but now seemed like the time to actually put a proper site on there. Today it officially goes live.

The site has the Amelia G bio with just the broad strokes. There is a more detailed sidebar with just 2009 news about press appearances and where my writing and photography has appeared this year. I considered including a page with a gigantic lists of places I’ve been published, but, after doing thousands of pages of editorial, not to mention radio and television stuff, it just seemed like it would be a bit of a laundry list. Plus, oddly enough, when I was doing research for the site, I discovered that some of my work had been reprinted without me even knowing it. I’ve moved less as an adult than I did as a kid, but sometimes it is still possible to lose track of compatriots with moves and all on everyone’s part.

I hope people enjoy the Photography Portfolio section of Forrest Black’s and my work. People always ask to see my online portfolio and I always was reluctant to put one together before. When I say “reluctant”, I mean that the notion of editing together only forty of my favorite images, out of everything we’ve ever shot, made me effing hyperventilate. I forced my brain through its discomfort and editing a selection of images from over such a long time period turned out to be really fun, once I got into kind of the right headspace, because I got to look at all sorts of contact sheets with positive associations and beautiful unseen images. Because of the ephemeral nature of human life, there is always something intrinsically bittersweet about any good photograph, I think, but it still felt mostly good to go through everything.

Given the fiscal realities of shooting on film, there are all sorts of awesome images Forrest Black and I shot which nobody has ever seen because it cost so much to make prints, so we tended to just print whatever a magazine wanted to publish for a lot of shoots. So the photo portfolio I edited together on AmeliaG.com has quite a few exclusive images the world has never seen, along with some favorites you will probably recognize.

It was also really fun putting together the section with the Amelia G Personal Pics because I got to dig through hard drives of tons of random uncategorized galleries of digital nightlife snapshots and recall all sorts of enjoyable adventures. My mom looked at the pics and said it looked like I must go out every night. Really I’m a workaholic, so I just like to only venture out for really cool stuff and I try to make a night out count. I hope you all also enjoy my goofy snapshots of going to parties, conventions, and gallery shows, clubbing, travel, and just hanging out with pals.

The background photo is a promo shot Forrest Black was kind enough to do for me last week. I really like how it turned out. If you are interested in hairstyle matters, my haircut is by Thierry, blowout is by Youne Lee, and color is old skool punk rock style where my bathroom is purple now too.

Putting the Amelia G site together made me nervous as anything, but I’m really happy it is complete and I think it turned out good. I hope you all like it too.

Years ago, a photo Forrest Black and I shot of Malcolm Jamal-Warner was almost published by Vibe. At the time, Malcolm Jamal-Warner was starring on Malcolm & Eddie with Eddie Griffin, but still best known for whatever it was he did on The Cosby Show. (I can’t speculate because I’ve never seen The Cosby Show, although I have seen a Chris Rock spoof of it.) I admit that I was interested in shooting him mostly because he was a charismatic guy with the world’s largest diamond tongue ring, at a time when tongue rings were still, ya know, radical. Vibe expressed interest and held onto the print for months. I was really excited to appear in such a large circulation music and lifestyle magazine then, but, alas, they eventually passed and sent my stuff back. No idea why to this day.

But now I know Vibe will never be on my list of credits because effective today, the magazine has ceased to exist. Staffers were in the middle of work on a Michael Jackson tribute issue when they received a memo, from CEO Steve Aaron, telling them they could basically go home. Vibe was hit hard by a combination of lack of access to venture capital and the huge decline in advertising, especially in Vibe’s bread and butter automotive and fashion categories, due to either recession belt-tightening or companies plain going out of business. I’m not a huge fan of venture capital because I feel it puts the banking people in control over creative, while allowing companies to spend vast sums on overpriced parties and coders and real estate in a way which can make otherwise viable businesses unable to compete in an environment where the venture capital-funded businesses will soon also go under due to irrational business plans. Nonetheless, I’m not thrilled that the taxpayers bailed out the banks but not really the automotive industry and this means companies like Vibe have to be shuttered.

I would think the Vibe web site would be an asset with some value, and the closing memo says digital did well for them, simply not well enough to counterbalance the rest in this economy, only apparently it is not for sale, so it may have too many liens from venture capital folks on it or something along those lines. At any rate, the issue of Vibe on the stands now, with Eminem on the cover, will be its last and the web site will stop updating immediately and be closed in the next month. I love magazines and it saddens me to see this rash of magazines folding.

The BlueBlood VIP just passed one hundred thousand images with a series Forrest Black and I shot of an OG Blue Blood hottie from the magazine days. Blue Blood began in print sixteen years ago in the suburbs of Washington, DC, in the basement of a Maryland punk rock group house called New Cambodia.

I had previously done the BLT ::: Black Leather Times antisocial punk humor zine in a Virginia punk rock group house called Cambodia and I was ready to do something glossier and with more reach than BLT’s 2,000 copy print run and mostly local circulation. I don’t think I realized how much I was biting off or that it would eventually take a whole two car garage to house all the Blue Blood subscription magazines for any given issue while a pizza party of my friends feverishly stuffed envelopes and boxes in our unfurnished living room. Perhaps I had faith that Blue Blood would get the attention is has in press from everyone from The New York Times, Penthouse, and Draculina to HBO, FOX, and MTV. But I certainly could not have expected the audience of tens of millions of people the internet has brought.

It was extra meaningful to me and Forrest Black to have OG magazine covergirl Cherry Jason and her real life lover Ledgrey featured in the brand new series which took BlueBlood.com over the 100k mark. That is a whole lot of beautiful on-topic images, by a lot of creative photographers, shooting a lot of flamboyant people. I naturally still have a lot of friends in the DC area and generally get back mostly for weddings and similar occasions, but it’s also fun to check out how the club portion of the DC scene Blue Blood came out of is doing. This time out, Forrest Black and I went clubbing with Cherry and Ledgrey and pals and shot them over at their place.

Cherry is a dancer and Ledgrey is a banker and their place is in pretty much the most perfect, sought-after, convenient location in all of Washington, DC. Cherry and Ledgrey have such a wonderful energy, so we ended up with a bit of a gothic punk From Here to Eternity vibe in this series and the overall feel is just what we all wanted it to be.

Of course, although we have a safe for work free photo gallery of Cherry and Ledgrey on BlueBlood.net, you’ll have to head over to BlueBlood.com and pony up a few bucks to see the naughty bits.

The original Blue Blood magazine in print always opened with an entertainment section where we covered music, events, books, and all sorts of cool stuff. Pretty much like BlueBlood.net. Then there would be a number of short stories from big name genre fiction authors and a number of photo sets featuring exclusively real life couples doing what they would genuinely do whether or not there was a camera there. Now that we have digital cameras and the internet, the world is a different place and so we’ve added solo hottie sets to the mix, but, where BlueBlood.net is the digital incarnation of the magazine’s entertainment section, the hot stuff which made up the rest of the magazine resides on BlueBlood.com now in the VIP section. This way each sort of content is in its proper place to be viewed most conveniently.

Although naturally the history is important for a brand founded in 1992 like Blue Blood, let me break it down with a bit less history. BlueBlood.com features more than 100,000 erotic photos, including our world famous signature couples sets, and erotic fiction by some of the best genre writers in the world. BlueBlood.net features nightlife galleries, babe galleries, social critique, music videos, interviews with interesting people, book reviews, movie tidbits, comics info, television news, and entertainment journalism in general. To break it down even more simply:

BlueBlood.NET = SFW entertainment site
BlueBlood.COM = NSFW erotic site

BlueBlood.net and BlueBlood.com are intended for the same sorts of intelligent, independent thinkers, who enjoy the road less traveled, with lifestyles which are flamboyant, offbeat, and beyond the average person’s experience. Blue Blood in print used to be called The Trade Mag of Cool because Blue Blood’s audience is unusual, made up of tastemakers, the first in each of their respective scenes to know about and share new things, people who are just going to be more cool and creative than the norm.

One of the times it first became really apparent to me that a Blue Blood audience is really above and beyond, we were hanging out in New Orleans and I offered comp copies of the magazine to someone who worked for Trent Reznor of Nine Inch Nails. NIN’s album Pretty Hate Machine pretty much changed my life, so I was jazzed at the idea of passing along my work to someone like that. His assistant was all excited, but, when he looked at the cover, he was like, oh, Trent already has that issue.

After sixteen years, it is more difficult to get a rise out of me. I know a lot of rockstars and, at this point, I am often reluctant to interact in any way whatsoever with anyone whose work I love. My fear is that a negative personal interaction with the artist will reduce my pleasure in the art. At Blue Blood, we approach our shoots, especially our couples shoots, as a very collaborative process, so there is a lot of discussion of what will be shown. I remember the first time Forrest Black and I worked with Cherry Jason in the 90’s, she totally made us both blush. Shooting her this time, if anything, it was the other way around.

Sixteen years is a long time. Sometimes I rail against the things in the world which I either can’t change or haven’t changed yet. But I’m awfully happy with where Blue Blood is at sweet sixteen. As a big William Gibson fan, perhaps I could have imagined in 1992 what Blue Blood would look like in 2009, but I can’t say that I did. The plan was pretty much do a bunch of cool art projects for the community and wait for new technology to be invented to make the whole thing viable.

Sixteen years. Dozens of Blue Blood parties. Hundreds of stories. Thousands of articles. Tens of millions of readers. Getting to meet and work with so many cool people in so many walks of life. And now over one hundred thousand images in the BlueBlood VIP! Not that I didn’t work and sacrifice for it, but, on a good day, I am truly humbled and grateful for getting to have the life I have had so far. And today is a good day.

Have you ever felt you should get a pass for misbehaving because of your extensive zombie experience? Heck, we’ve all felt that way. But Woody Harrelson is doing something about it, with his tried and true Mistaken for a Zombie Gambit. Allow me to illustrate.

Forrest Black and I photographed special effects artist André Freitas (pictured) in his AFX Studios by Atlanta, Georgia for a feature in Skin Two. At the time, his most current project was developing a scary wrestler character. His most recent project has been makeup on the scary special effects for a movie called Zombieland. The movie is directed by Ruben Fleischer and written by Paul Wernick and Rhett Reese who previously worked together on the Joe Schmo show. Although Zombieland reportedly just wrapped filming, it is still technically in development, so the final cast list is still more rumor than confirmed. For sure, André Freitas’ special makeup effect must have been really damn scary.

It is known that Woody Harrelson is in the Zombieland movie. According to IMDB, Woody Harrelson plays a character named Albuquerque. According to the Sony Pictures publicity department, Zombieland will not be in theaters until a Halloween-ready release of October 9, 2009, but they believe Woody Harrelson plays a character named Tallahassee. It seems a safe bet that Woody Harrelson is at least somewhat in a movie called Zombieland and does play a character named after a city. Based on posts on the director’s site, principal photography for Zombieland took approximately two solid months and was completed the middle of this week.

According to Alan Duke reporting on CNN, Woody Harrelson finished shooting Zombieland on Wednesday in Atlanta, Georgia and he and his daughter landed at La Guardia Airport that night. I know that personally, if I had to make a list of times I would least like to be photographed, when I had just landed at an airport after working in Georgia would be very high on my list. Allegedly, Woody Harrelson broke a camera belonging to a photographer/videographer who was trying to film him and his daughter. After this alleged incident, the photographer went on to bust out a cell phone camera or some other smaller snapshot deal and shot more video of Woody Harrelson and his daughter. The photographer alleges that Woody Harrelson assaulted him in the ensuing scuffle. Although a police report was made, no charges against Woody Harrelson have been filed at this time.

Woody Harrelson did, however, issue a statement which I believe clears the whole thing up. The actor explained, “With my daughter at the airport I was startled by a paparazzo, who I quite understandably mistook for a zombie.” Quite understandably. Mistook for a zombie. Could have happened to anyone.

CNN and others are reporting that Woody Harrelson plays “the most frightened person on Earth” in Zombieland. In point of fact, had any of them managed to check with Sony, they would have learned that Jesse Eisenberg plays the most frightened person on Earth in Zombieland. Jesse Eisenberg is perhaps best known for his role as Jimmy Myers in Wes Craven’s Cursed, where he spent the movie trying to escape werewolves. Apparently there is something about Jesse Eisenberg which makes monsters want to chase him. Then again, CNN used the usually reliable IMDB as their source and IMDB reports Jess Eisenberg’s character is named Flagstaff, while Sony Pictures publicity department calls him Columbus. Still, once again, both names are cities. Not that big a difference in a name.

The big difference is that Woody Harrelson’s city-named character is actually the bad-ass in the movie. to be specific, the Sony Pictures press releases on the movie states, “Columbus (Jesse Eisenberg) has made a habit of running from what scares him. Tallahassee (Woody Harrelson) doesn’t have fears. If he did, he’d kick their ever-living ass.”

Given that anyone who has seen Natural Born Killers (which is everyone I know) can see what a convincing dangerous bad-ass Woody Harrelson is, I can only conclude that paparazzi don’t get to the movies much. Or read magazines. Apparently there is something about Woody Harrelson which makes paparazzi want to chase him. Another paparazzo is currently suing Woody Harrelson for allegedly attacking him outside Hollywood nightclub Element in 2006. (Although it might have changed ownership since then, the last time Forrest Black went to this particular venue, he complained of having to endure watching a performer flog a balloon, as opposed to a hot girl. But I digress.) At any rate, Woody Harrelson has made it clear that, like anyone, he does not love having strangers up in his face with cameras at all sorts of annoying times. Unlike just anyone, he has already made it clear that he is prepared to defend his privacy strenuously. Unlike just anyone, he is also the son of a man serving multiple life sentences for contract killing a Federal judge. Does a famous actor have to actually kill a paparazzo in self-defense before people back off?

Even if common decency fails to stop paparazzi from non-consensually photographing Woody Harrelson, you’d think common sense might kick in. As I don’t even like to lift a camera to my eye until a model release is signed, the whole paparazzi phenomenon really kinda baffles me. I don’t think harassing a man, when he is exhausted from gainful employment and travel in service of same, is what the founding fathers had in mind when they guaranteed us freedom of the press. There are areas of scandal where I feel the newsworthiness of a public figure is relevant, but I don’t get what is newsworthy about what an actor’s daughter looks like after a plane trip. Then again, Woody Harrelson is an activist for marijuana legalization, so maybe this will make the press take up his cause in the hopes that he will become a little more chill.

The real good that will come out of this unfortunate incident, however, is that, from now on, I am going to excuse all hostile behavior by explaining that I was startled by someone who I quite understandably mistook for a zombie.

Last month, Blue Blood made a submissions site live for models and photographers and writer/photographers to submit to various Blue Blood projects, mostly BlueBlood.com and, to a lesser extent, BlueBlood.net. Blue Blood enjoys publishing a variety of body types, both male and female and in between. The most important thing for modeling for Blue Blood is that someone have that certain something, star quality, individuality, passion of personal expression to put in front of the lens. The original Blue Blood magazine in print featured exclusively interactive pictorials of people who were lovers in real life, who would be doing what they were doing, whether or not a camera was present. Non-feature photos in Blue Blood in print were generally related to specific entertainment news or how-to articles.

BlueBlood.com features pin-up and interactive erotica photo sets where all the images in a particular gallery will be of a person or couple, in one setting, in a series, which generally tells some sort of story. BlueBlood.net, of course, features articles and galleries about cool events, genre movies, goth-industrial music, punk nightclubs, interesting clothes, and similar fun stuff i.e. BlueBlood.net publishes photo galleries which are about a particular topic of interest. You would think that more photographers would shoot entertainment news, fashion, and music work than shoot nudes, but apparently that is not really the case. I’ve found that the most common question I get from interested photographers is what the galleries on BlueBlood.net should be about. Somehow, once the naked aspect is removed, many of them don’t know what the photos are about, other than that there is a photographer who happens to take pictures. I am baffled that there are people who consider themselves Photographers with a capital P and have no idea what their work is supposed to be saying.

I entirely understand, however, why many models are confused by the submission process and gunshy about asking questions. Running a site can be stressful and there are never enough hours in the day, but I’m genuinely kinda weirded out by how many site operators or model coordinators hate to answer questions from models. I’m always happy to answer anyone I might work with’s questions beforehand. It makes me ballistic when people try to go back on their word, once they have made an agreement, but, to me, that just means everything should be entirely clear from the beginning. The most common question I get from interested models, once they have read the Blue Blood Photo FAQ is almost the opposite of the most popular photographer question. Models are puzzled by the whole nudity vs. clothes thing. Some models don’t seem to get that they have to keep their clothing on for BlueBlood.net editorial. By the same token, any model who has even considered modeling for a membership site besides BlueBlood.com wants to double-check precisely what she must do on camera and what she must not do. This is because of the way these models have been pressured to do either less (nice girls only do conservative nudes) or more (all the cool girls give strangers blowjobs) by sites they have considered working with. I really don’t get the thing where some sites feel like everyone has to be fully nude but nobody is allowed to (heavens to Betsy!) insert anything or where some sites have the attitude that anyone who hasn’t fucked everyone else on it shouldn’t be allowed in the clubhouse. It really bothers me that there are models who go along with this conformity BS and peer pressure other models to only do exactly what they have decided is okay for them personally, no matter whether other models personally prefer to be more conservative or more extreme. These are not decisions which should be made via groupthink.

If everybody on BlueBlood.com was doing the exact same level of nudity or naughtiness, with the exact same amount of explicitness or lack thereof in presentation, that would be as antithetical to the point of Blue Blood as if everybody looked exactly the same. (You are not required to have tattoos either; they are optional and only a plus if you got them for a meaningful reason or they are quality ink or ideally both.) Of course, all publications have to have some sort of structure, a certain promise to the reader of what they will find inside. However, any pay site with a bunch of chicks who look the same and apparently all want to get the exact same amount naked is just pandering to a fetish and it is not punk and it is not about freedom.

Many of Blue Blood’s photographers and writers and models, and certainly your truly, have fetishes too and naturally they are more likely to be represented in the variety of BlueBlood.com content than kinks various creative team members are less into, but Blue Blood doesn’t have all the hang-ups so many of the sites seem to about nudity. The whole point is that it is about individual expressions of sexuality and sensuality. Individuality is key. If all a photograph does is hit a format, that is not art, just commerce. If a photo utterly fails to hit any format, that is not art either, just wanking. For photography to be art, it must both express something and communicate something.

Speaking of the folks over at Kink, they have also recently partnered with Marquis to distribute Peter Czernich’s White Room series via their Kink on Demand service.

Blue Blood readers are probably familiar with Marquis’s flagship glossy fetish print magazine through Forrest Black’s and my contributions and Big in America column for the past eight years. Marquis launched after the late lamented <<O>> Magazine folded in 1994 and later added everything from events to latex sales to books to videos to a naughtier sister magazine called Heavy Rubber in 1997. I think Peter Czernich may have been doing his extremely fetishistic White Room series, on video and in images, since even before he started doing Marquis.

At any rate, this is serious rubber fetish play and it is now possible to view it where you can purchase just one scene at a time via Kink on Demand. Says Kink’s John Sander:

“[Peter Czernich] has helped define the face of fetish fashion and eroticism for 20 years. Many of our customers are very vocal about their love of latex and other fetishwear and fetish scenarios, and Marquis does that better than anyone — it’s exactly what those customers have been asking for. These are premium European videos that have been difficult for fans in North America to get.”

For his part, Peter Czernich says:

“Marquis and Kink have deep synergies in the fetish world and we are looking forward to working closely together. We consider Kink.com one of the leaders in the fetish industry with high quality, dedication and a phenomenal concept. We’re proud to enhance its portfolio with our high-end fetish movies.”

Blue Blood hottie April Flores is on the cover of the new issue of Bizarre. First, Topco does a mold of her to make a lovedoll and now this! The curvaceous cutie writes in her blog:

“I woke up to wonderful news that I am on the cover of the latest issue of Bizarre Magazine!!! What a wonderful honor it is especially since I’ve been a fan of that magazine for the past 7 years. :)

I can’t wait to see the pictures inside. Bizarre was wonderful to me! They flew me out to Montreal to shoot with photographer Martin Perreault. The theme of the shoot was all things sweet. I loved it! They had various candies and lollipops for me to suck on and play with. There was a wall of pink and blue balloons, and another set up with bubbles flying all around me. My favorite set up was with me laying on the floor with 6000 candies covering and surrounding my body! It was like a little girl’s dream come true and I kept getting distracted by the cuteness of it all.

I’ve been waiting to see this issue for months now and I am just bursting with excitement. I am off to my local newstand to buy a copy….. YAY!!!”

One thing I have to admit I am troubled by, however, is what a big deal so many people make about April’s weight. It doesn’t take an open-minded person to find April Flores hot. She is hot. So I am kind of sick of folks congratulating themselves for finding her hot even though she is plus-sized. It just still strikes me as prejudiced for someone who is not particularly kinked for big girls to make a gigantic thing of finding a big fine girl attractive.

Anyway, congrats to April Flores for making the cover of Bizarre. Blue Blood girls are covergirls.

Wow, Wired Magazine just really hurt my feelings. Genuinely. I’ve been an enthusiastic supporter of their magazine from day one. I have every single issue from their very first three years on my magazine shelves. I remember how excited I was when they first came out, covering cool hacker counterculture with fresh artistic sensibilities. And now they would reach out just to be really petty and cheap and nasty to Blue Blood? That’s really not cool at all. What? $6.66 was too much of a micropayment? I would have gladly comped anyone from Wired, partly in the hopes of getting a press mention, but mostly just out of respect. Actually, come to think of it, we’ve comped quite a few people on the staff of Wired over the years, many times at their own request. But, I guess I’m just a chump. This is what I get?

(click to enlarge)

I realize it’s just kind of a bottom of the site blog section designed for negativity, so it’s not like it really counts, but it still seems really unnecessary. Partly, if you stretch a 180 pixel sample thumb image 167% and make it all blurry, yeah it starts to look kind of crappy. I know the folks over there are more talented and tech-savvy than that.

Normally, I’d like to write something a little more structured, and little more focused, but I’m actually kind of hurt.