Posts tagged: music

So right now FUSE is playing a block of Nelly videos. I find Nelly ridiculously hot. Hot like sexy, not hot like kindling. I’m not even sure if I like his music, but I certainly enjoy his videos. They’ve got productions values! (Bonus cool points to anyone who gets the movie reference there.)

So I was sitting there, letting the purple hair dye set in my hair, watching the Hot In Here video, and I suddenly realized that at least part of the video was shot inside a particular nightclub on Hollywood Blvd. Specifically, it was shot inside the Basque nightclub a couple blocks from me which burned down a day ago. Holy firemen of irony, Batman!

I was all trying to go to sleep at like six in the morning and I couldn’t figure out WTF was up with all the helicopters. I mean, my neighborhood has been a little weird lately, but this was just ridiculous. Turned out they were all the news copters shooting the fire and the literally two hundred and ten firemen and countless arson investigators and other officials dealing with the fire. Apparently, the building’s core was super old and had like poisonous resins or something on some of the burning wood. Not the best air quality where I live in Los Angeles for the past day.

But I really think the copters should have been blasting Nelly singing Hot In Here while they flew over my place. That would have totally made it all okay.

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I handed Gene Simmons his laundry once. This was more than ten years ago, so my memory is a bit murky, but, as I recall, I may have both handed him his clean laundry and picked up his dirty laundry to run back to the stadium. It was one of my last gigs as a stagehand. I was a runner. A runner is someone who will work for stagehand wages but has a working and ideally presentable car. At the time, I had already mostly transitioned into doing contract design work, corporate presentations and that sort of thing which paid better. My car actually was not terribly presentable, but some of the staff for the KISS tour recalled a nicer-looking (but less reliable) car I had owned at the time of an earlier gig and they liked me. I took the job because they had specifically requested if “the girl with the kinky zines” was still available. Plus working at a rock stadium was generally pretty sociable and fun, especially at a job which, unlike many I’d done there, was unlikely to cause injury.

I was never a member of the KISS Army or anything and my parents felt the KISS logo was unacceptable Nazi regalia and boys who wanted me to like KISS (and them) had always played me “Beth”. I guess guys always think the chick will like the power ballad better than the rocker, but it always struck me as really ill-conceived to try to seduce a girl with a song about blowing off your girlfriend. (Talk about “Lick My Love Pump” being in the saddest key!) I did think KISS had some fairly listenable music, but I was not crazy familiar with them either.

So, when my runner …

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Since a bunch of folks really enjoyed the fun Hex Hollywood gallery we recently released, I thought it would be enjoyable to catch up with Xian and give everybody a bit of insight into the mind and motivations of the creative force behind these events. Xian is dedicated and involved in the Los Angeles underground scene as an active and energetic promoter, DJ, coder, community host, and much more. In addition to the Hex events, she is also involved in or responsible for an impressive array of cool clubs and projects, including Malediction Society, Disko Nekro, The Darkroom, Perversion, and even the monthly goth industrial deathrock skating excursion that is Wumpskate. And when there is some spare time, she even runs the LADead.com community website for the Los Angeles underground scene.

She took some time out to share her thoughts and perspective on Los Angeles club life with us.

1. Given just how many clubs and events you are involved with, we get the impression that you don’t sleep much. Tell us what an average week schedule is like for Xian?

Ugh, this could get complicated, so I’ll try to keep it simple:

Summed up, I am DJing 3-4 nights a week these days, meanwhile holding down a full time web development job (40-50 hours). Non club nights I clock in about 2-3 hours of web work, promotions, and graphics design, and during the day on weekends this jumps to about 4-5 hours. Unless there is a special event coming up, then it jumps up significantly. As far as sleep goes, I probably get anywhere from 4-5 hours of sleep on week nights and 7-8 hours of sleep on weekend nights.

A bit crazy I realize, but I got more tired of sleeping my …

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I only met Rozz Williams once.

A bunch of the Blue Blood crew were in Los Angeles, celebrating the release of Blue Blood #5. That was the first full color issue of the magazine. I’d used a comic book printer who did high quality art repro and had no problem printing depictions of nude women. Heck, they actually also printed tons of publications involving sexualized eviscerations of women. (Yes, we were doing cross-promo with Glenn Danzig’s extreme Verotik at the time and he used the same printer.)

But the printer had had some concerns about Blue Blood’s content. First, they were very concerned that there was bestiality. I was like, WTF? They are holding up printing my magazine because they are concerned about the bestiality? Where do they think I have bestiality? Then I realized that I had written a fiction piece about the drummer in a dykey industrial band who gets with a werewolf. I was proud of the story and it was illustrated with elegant photographs by the famous Gunter Blum. I was thrilled that someone as huge as Gunter Blum wanted to be in Blue Blood. I really didn’t want to remove the werewolf piece and I really wanted to get my magazine printed. So I call the printer ready to do battle.

It turned out that the werewolf erotic fiction was not the problem at all. NOFX had sent Blue Blood a blow-up sheep. At the time, NOFX was unpopular with a lot of music journalists because they didn’t like to do interviews. I thought sending me a Love Ewe (get it?) was a billion times cooler than any interview could be, so I thought they were totally cool. Forrest Black shot me using …

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Andy Laplegua is a busy man. In the past year alone he has released three full length albums. Icon of Coil, his most popular band in the US, did Machines Are Us, Combichrist, a noisier EBM project, did The Joy of Guns, and Panzer AG did This Is My Battlefield, a darker, more goth/industrial album. Andy Laplegua is the frontman of Icon of Coil, but Combichrist, and Panzer AG are his solo projects.

He has produced a track for Apoptygma Berzerk, and done numerous remixes for bands such as VNV nation, Funker Vogt, Apoptygma Berzerk, Hocico, De/Vision, Mesh, and just about any other electro project you can think of.

I caught up with him after a Combichrist show at Das Bunker in Los Angeles. He was still covered in blood from a photo shoot with Amelia and Forrest earlier in the day. Heres how it went.

Kellie: Great show. Nice fake blood by the way.

Andy: [laughs] Thanks.

You usually wear latex on stage. Are you into the fetish scene, or just the fashion?

I’m not so much into the fashion itself, I love the look and feel of it. I am very much into the fetish scene. I love rubber.

What other fashion do you like to wear?

House of Harlot, Skintwo, Marquis, Cyberdog, DSL, Lipservice. And anything else I see that I like.

What are you drinking?

Jack Daniels.

Straight?

On ice.

I see you have a Johnny Cash tattoo.

I got this tattoo by a great artist named Deacon at Holy Mother Tattoo in Atlanta, Georgia. He actually did this whole half sleeve. It’s a tribute to Johnny Cash, when he died. He is one of the most important artists to me, the whole reason to do music. The way he was a story teller, a great inspiration to all artists. Always …

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