If I sounded like a feminist, would you hold it against me?
by Amelia G : April 29th, 2007In recent years, I realize I have shied away from talking about certain topics such as feminism or sexuality or even actual products. This is kind of odd as these were certainly pretty cornerstone issues which were, not only covered in Blue Blood in the past, but were instrumental in why I wanted to do it in the first place.
I feel like feminism on the net, particularly when associated with the site genre dubiously dubbed altporn, is pretty much a mockery. The language has been so co-opted by people who don’t mean it, or even understand it, that the whole thing pretty much makes me sick. It definitely makes me want to disassociate myself from the whole thing, but do I really want to change my life and who I am because someone fake pretended to be like me? Probably not such a good idea.
One of the difficulties involved with feminist politics in 2007 is that it seems to be in vogue to attack people on a personal level, rather than to debate the issues. I see that most people deal with personal attacks by either defending their personal lives or correcting misimpressions about their personal lives. I think that people should pay attention to and debate the actual point and not deconstruct details which are merely specific to the person bringing a broader feminist or other issue up.
I think any artist has to give of themselves, to a certain extent, in order to create. But the global communication networks we live with today make it so difficult to maintain the slightest shred of privacy. Reality show programming and tabloid journalism put into the zeitgeist the notion that the world is entitled to know really personal things about anyone remotely famous. This makes me want to, not only avoid …
Over the years, I think Rolling Stone magazine has maintained a higher standard of journalism than most music rags. The majority of music publications are written by writers in the employ of publicists and most rarely have an article on topics other than a performer’s favorite color or fictional creative process. Although their musical tastes and mine are not always precisely the same, Rolling Stone is usually an example of what journalism ought to be. 
Forrest Black and I went out to Das Bunker last weekend to catch Andy LaPlegua’s special DJ set there. In honor of the occasion, we posted the first series of photographs of Andy and Kellie we’d shot. The shoot happened serendipitously. The plan was initially to just photograph Kellie by herself, but Andy was hanging out and a studio space with stage blood, Jack Daniels, and Kellie in it just really called for him to participate too. This photo session also resulted in the artwork for Combichrist’s last full length album and T-shirt design and a liner note shoutout. Kellie then interviewed Andy for a Blue Blood feature article and, by the time of their next photo session with us, Kellie and Andy were married.