Sean Abley is working on a series of interviews for a possible book project entitled People Who Are Cool. The theme is, as you might suspect, people Sean Abley knows who are cool. You can read the two part interview he did with yours truly online now here and here. It is a two parter because, as Sean says, we are a couple of chatty bitches. Seriously, it is very in-depth and his questions were really interesting and unusual and I answered a lot of stuff I don’t usually talk about in interviews. This is going to post to Dark Blue Films in approx six weeks, but you all get the inside-skinny on where to read it pre-publication.

Socket writer/director Sean Abley writes:

“Somehow Amelia G and I became blog friends about 8 years ago. I’m not really sure how that happened, and when we’ve discussed it, neither is she. But somehow one of us surfed into the other’s Live Journal account and friended same, and we’ve been reading each other’s stuff for years now.

When I first started reading her blog, I was immediately struck by the photographs she’d post, taken either by her or her collaborator, Forrest Black. These were semi- (or not so semi-) naked shots of Goth chicks with beautiful lighting, styling and makeup. As I say further down in my interview with her, “[She] took two things I have no interest in – Goth culture and naked girls – and photographed them so I can’t turn away.”

Soon I realized Amelia had a mini media empire based on this subject matter, the hub of which is (are) http://www.blueblood.com and http://www.blueblood.net. Start there and you’ll find yourself winding down internet corridors full of fetish photos, films, music and art. And none of it feels exclusionary. Less “Butt out, square!” and more “Hey, we’re awesome! Check us out!” I would encourage anyone reading this to do just that. Amelia and Forrest’s work is pro and punk at the same time, and never boring.

When I decided to interview Amelia, I did some research and found out she has a crazy interesting past, from living in a punk/goth group house in D.C. to moving in the industrial music scene, to founding a magazine . She is also the kind of feminist that I love, e.g. one that doesn’t think a naked girl is being suppressed just because she’s having her picture taken. She’s also a workaholic, as evidenced by the sheer number of projects, websites, and events she has to attend to in any one week.

Although we live mere blocks from each other in Hollywood, I conducted this interview via email, which probably lead to us be much more verbose that we would in person. (I hate transcribing, so I tend to keep it short in person).

How did the daughter of a diplomat and an attorney become the reigning Queen of Goth Erotica?

Please give a warm welcome to Amelia G!”

The interview kicks off with:

Sean Abley: I read that you’ve lived all over the world and the States. Army brat? What’s the scoop on your childhood?

Amelia G: When I got to college, it was my twelfth school in twelve years. My mother’s a diplomat. My father’s an attorney. Two of the schools I went to when I was fourteen to sixteen had a lot of army brats, so some of the experience is similar.

Funny, I moved around quite a bit as a kid, although it was mainly within the same town, Helena, MT, with one two-year chunk in Carbondale, IL. But even within the same town for a little kid it means changing schools and friends, so even now I hate moving.

I get wanderlust really easily, but, if I travel enough, then I don’t itch to move as much.

What subject were you awful at in school?

Even though I rode a purple three-speed bike everywhere in ninth and tenth grade and was very fit, I never got into gym. I especially loathed dodgeball. Only I would get picked pretty early. I think because I was great to have on a team because I hated getting hit by the ball so much that I would never get tagged out. This might seem like a good trait, except that I practiced the Golden Rule and did not wish to do unto others as I would not have them do unto me. So a dodgeball game could be this endless purgatory because I wouldn’t tag the other team out either.

I actually loved dodgeball because it was the one of two sports I was actually good at as a kid (the other being volleyball). I was very agile, and I think the opportunity to nail the popular jocks with those big, red, rubber balls imbued me with an unfailing eye and super human strength.

Those are good superpowers to have for playing dodgeball.

It seems like you really made your mark first in D.C. What were you doing in D.C.?

Living in a punk rock group house, throwing legendary parties, trying to be a writer, doing as many peculiar day jobs as possible, tying up unsuitable suitors in the back seat of a car which was a parting gift from my unsuitable college suitor, discovering ramen cuisine. I still think of ramen as the flavor of poverty.

I actually bought dollar’s worth of ramen . . .

( Read more )

I’ve written about writer/director/producer Sean Abley’s Socket movie here before, when it first hit the festival circuit. Now the movie is out on DVD and available from TLA Video. TLA Releasing put out Socket and the TLA media empire is descended from the Theatre of the Living Arts experimental theatre group in 60’s Philadelphia.

A couple of days ago, Sean Abley and a couple hundred of his closest friends got together at MJ’s Bar in Silverlake to celebrate the release of Socket on DVD. The event was hosted by promoter Jovy Janolo and producers John Carrozza, Doug Prinzivalli, Matt Mishkoff, and of course Sean himself. The VIP goodie bags included an interesting-looking DVD of a spooky movie called Amnesia, a coupon for a discount on TLA releases, and a pass for thirty free minutes of VOD which promise to “put the HARD back in hardcore DVD.” Blue Blood’s Forrest Black had the honor of receiving the final goodie bag of the night. The doorman apologized to me and told me he guessed I’d be re-gifting because the stuff in there was for, you know, jacking off. I was expecting the DVD and such to be more like what I would get at a regular business convention for web professionals, but TLA in general and Socket and Amnesia in specific appear to be for the purposes of movie movies and not jack off vids. Then again, I couldn’t get the VOD site to load, so maybe my tender sensibilities would have been scalded. Oh, and I’m a chick, so I guess I’m expected to care whether fictional characters romance and fuck exactly who I would personally want and be able to romance and fuck. Or not. I’m a fan of quality, so you know I’m a pervert. Polite of the doorman to warn me, just in case, though.

I’ve already praised the fun story and killer funny dialog in Socket and I’ve already told y’all you should see it, so I’m just going to mention an awesome factoid about the film, which can only now be revealed. Velvet Candy Entertainment and Dark Blue Films are so resourceful that the whole flick was made for $45,000. Sean Abley says that it was very difficult to have people judging his baby like it cost many times what it did, when he and his team were really very clever about how they did things. The filmmaker says, “I’d learned through my previous producing projects that you should never reveal the budget of your film until you’ve sold it. “Well under a million dollars” is the standard response. So while Socket was making its way through the film fests and then on to the release date, being reviewed by every internet and gay rag critic on the planet, we kept our mouths shut and took the hits.”

My view of Sean Abley and Socket is that I know indie is usually just a buzz word, but this is truly what independent filmmaking and DIY are supposed to be about.

Writer/director/producer Sean Abley’s dark science fiction flick Socket is hitting the film festival circuit now. The world premiere was at the Philadelphia International Gay and Lesbian Film Fest. It is screening tonight at the Outfest 07 Los Angeles Gay and Lesbian Film Festival.

Although Socket will probably eventually appear under the Gay & Lesbian heading in my Netflix account, it is a straight up genre flick and the genre is psychological horror/dark SF. The basic storyline is surgeon gets hit by lightening. Cute intern in the hospital he is treated at hooks him up with a support group for people who develop cravings for electricity, after events like being struck by lightening. They start a romantic relationship and, of course, it being a spooky movie, everything goes horribly awry.

The surgeon’s cravings for electricity require a more and more powerful jolt for him to get his fix. He figures out how to implant sockets in his and his lover’s wrists. This leads to both a nifty vampire subtext and entertainingly blatant metaphors for things like meth and cocaine-fueled bathroom sex, which are the sorts of topics most amusingly approached in metaphor. The movie is partly a meditation on the nature of addiction, albeit perhaps a tongue-in-cheek meditation.

The best part of the film is indubitably Sean Abley’s masterful ear for simultaneously believable and humorous dialogue. The characters banter with one another in a lighthearted way which puts a smile on the viewer’s face and feels tremendously real, like they are actual sympathetic people you could know in real life. It is pretty rare that I see a movie where the characters are at all recognizable from my own experience, so I really love this aspect. Cute naked vanilla boys also a plus.

Check out the trailer below and, if you are in Los Angeles, stop by Outfest tonight.

The Friday of the 2006 Comic Con, I only busted out my camera when really motivated because we’d gone on the Superhero and Supervillian-themed party bus the night before and, after a couple of days in the oppressive San Diego heat, I was slowing down. Still managed to shoot a nice little photo gallery for your viewing pleasure.

I was super-excited to get to see the very entertaining horror screenwriter and producer Sean Abley. Oddly enough, although he and I live literally across the street from one another, I met my neighbor online first and neither of us remembers precisely how. At any rate, he is a great wit and his Dark Blue Productions darkly humorous science fiction feature Socket is showing at the Los Angeles Outfest this Friday, so I highly recommend Angelenos stop by and check it out. (More on this later.)

Those of you who have been with us and Blue Blood since before the beginning will of course remember Black Leather Times, my punk humor zine, more affectionately (or hostilely) known as BLT. Drew “Vladimir Drakovich, King of Mars” Boyd wrote and, with Max Glick, co-wrote a number of humorous articles for BLT back in the crew’s DC days. I had the pleasure of running into Andrew Boyd in our booth at Comic Con and he hooked me and Forrest Black up with some kindly personalized Scurvy Dogs. Andrew Boyd’s publisher AiT/Planet Lar classifies Scurvy Dogs as a cult classic on their web site. This tale of pirates gone astray, co-written with Ryan Yount, absolutely deserves the status.

Sometimes I find conventions difficult because my mental Rolodex is kind of full and I always feel awful when I forget people, but I’ve met a heck of a lot of people over the years. Weirdly enough, when Andrew Boyd stopped by the megabooth, I was just like, “yay, hi Drew!” and it didn’t even occur to me until later that it was vaguely odd that I knew him immediately, without having to give placing him any thought at all, when he has, for hell’s sake, grown facial hair since I saw him last. (More on this later too.)

BlueBlood.com hottie Diana Knight was also in the house. I took photos while riding the giant escalator to show how cool some of the architecture of the San Diego Conventions Center actually is. A hot Asian artist stopped by the megabooth and I took a few snapshots of him. When I say hot, in this instance, I mean as in sexy, as opposed to as in warm or popular. He might be super popular, but I was pretty wilted from how hot it was (in temperature in both San Diego in general and the building in specific) so I had more trouble with the language barrier than I generally would. He had a professional illustrator badge, but his name was in (I think) Japanese. Cool costume anyway and getting to know people is harder at West Coast cons than East Coast ones, even under ideal circumstances. Maybe this is why I still have instant recognition for my pals from East Coast punk and fandom misbehavior.