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by Michelle Aston : January 9th, 2008
What if you threw a fetish party and nobody new came? The same rugged stalwarts from the last five years were present, sporting hardened and stained latex wardrobe, silicone lubricated, lipoed, botoxed expressionless and very drunk. BDSM and drugs/liquor don’t mix but its Hollywierd and the weirdo onlookers, unhappy married couples, and pervy old white dudes in black leather were all in attendance. At least there weren’t any melancholy hipsters or smelly hippies. Then again they know how to party and should have been there.
My editor sends me a mysterious online message about a job should I choose to accept to cover it, a fetish event in said Hollywierd, wedged between X-Mas and New Years. I opened the message on myspace on my nearly defunct once puzzling newfangled phone that will let me navigate online but only in something smaller than 8 pt. font. I ventured to the address via the Red Line at the Hollywood and Vine Station and I was really ready to see something interesting whether it be puke or piss.
The club was situated at The Henry Fonda Theatre and has been known to deny entrance to those that have been placed on the list before, but I was miraculously let in, and my bag barely inspected. I should have smuggled a flask. It was cold out. So I was wearing something odd, not latex, but one of my fav old drag queen outfits from someone that had a much bigger bust and ass than me, that I scored in a Silverlake thrift store. Twas pink satin, and about 8 sizes too big, but I pinned it to my leotard with safety pins and felt fabulous. Underneath my skirt I had two pairs of stockings, and leg warmers, …
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by Amelia G : December 11th, 2007
I just had a bit of a DC/Baltimore flashback weekend. Photographer Carlos Batts planned to do a gallery show/video release party at the combined studio locations of Federico Zignani and Apollo Starr. Normally such an event would be on my calendar in pen, but the damn date of this particular shindig kept changing. And then seminal DC industrial band Chemlab was playing the Knitting Factory. Due to the requirements of Murphy’s Law, both events were the same night.
Being the plucky Los Angeles denizen that I am, I managed to hit the Chemlab show, the Carlos Batts party, and the cool hot dog stand. (Yes, in LA, we have hot dog stands ranked by factors like cool and celeb client list.) Afterwards, Forrest Black and I took Carlos Batts and his gigantic entourage home in my limo. Passersby never can be sure how many people are behind tinted black glass and Carlos was all plotting mischief we could get into.
Anyway, in addition to his coffee table books and lots of other accomplishments, the fabulous Carlos Batts has shot a whole lot of erotic photo sets currently on BlueBlood.com and you should expect to see a whole lot more from him there. He has just released a video, two years in the making, starring April Flores, called Voluptuous Life and you should expect to see more about that here as well. Interview about the release party and gallery show now:
Amelia G: What was the special printing process for the images displayed on the wall?
Carlos Batts: The images on the wall were R prints mounted on sentra.
AG: What made you decide to do your party at that location?
CB: I shoot a lot of …
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by Amelia G : September 27th, 2007
There are a lot of people in Los Angeles who get decked out in full regalia every day, just in case. By this, I mean that they blow dry their hair or put product in it or put makeup on and make sure they are wearing something versatile but hot. Every day. Because you never know, in this city, when fabulosity may strike. A lot of actors and models and so forth end up getting discovered because they happened to already be ready to go, in the split second the iron was hot here.
The thing is that it tends to be a split second of hot opportunity. Because, due to a combination of flakitude and being on the forefront of cell phone technology, most party plans here are made at the last minute. If someone phones to tell you to look off your balcony because their car is outside, you can be relatively sure they will not flake before you get across your lawn. I pretty much only use the phone to (a) say I’m running late, (b) ask where to park or (c) compare notes on the party I am at with the party someone else is at. The last minute thing is also because everybody, who already has the hookup, works long and unpredictable hours. The various entertainment industries may yield fun jobs, but work is still work and tends to come first for anyone committed to what they do. Which is an awfully high proportion people in this city. I know I can’t be ready to go all the time because I work way way way too much and I have a lot of days where I end up having to put out unexpected fires. (Flame is the …
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by Amelia G : September 24th, 2007
I’ve been meaning to go to one of the Media Bistro shindigs for media professionals, like yours truly, for ages. After seeing Laurel Toby speak, I even moved the post-it reminder a bit higher up on my monitor. I finally managed to roll over to one a couple of weeks ago. Horror author and poet Maria Alexander and I rolled over to the Luxe Hotel on Rodeo Drive, which is a fairly swanky, if odd, location for a book party. Aside from just hanging out being, you know, media-like, the Media Bistro party was also to celebrate the release of Gabe Rotter’s first novel Duck Duck Wally. Maria and I missed the hotel the first time we drove by because it is a boutique hotel and thus not very hotel-looking, so it blended into the landscape. I almost always stay in boutique hotels when I travel. The service and the suites always feel more personal than in like a Hilton or whatever. And there are usually bowls of green apples, no matter which boutique hotel it is. As I live in Los Angeles, I don’t stay in hotels here and neither Maria nor I had been to anything thrown by this particular organization before. We both went with mildly dressy professional and black. I know the color scheme is a shocker. When I saw that the hotel was actually next door to the Michael Kors store on Rodeo, I thought it was perhaps some sort of weird psychic flash which had caused me to just buy a bunch of black Michael Kors clothing this season. A good omen.
The party was fun. Maria and I chatted with a variety of interesting people. It …
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by Amelia G : September 23rd, 2006
If you are in Hotlanta right now, you’d best be getting ready to strap it on tonight. Blue Blood board members have already seen some shots of Kellie and Scar (and Pika) getting geared up to party. There is a new fetish magazine in the U.S. called Buckle and they are throwing a shindig tonight.
I haven’t seen the magazine yet, so I can’t swear that it is great, but they’ve got some good people on board. Buckle’s first ish featured photographer Steve Diet Goedde. Blue Blood has shared exhibit space with Steve more than once and, more importantly, he was the first person (besides Forrest Black of course) to tell me that I really needed to set up a membership site. Steve’s advice has been terrific. Buckle’s second issue featured photographer Kelly Lind and his co-conspirator makeup artist Alex LaMarsh who are responsible for a whole lot of sets on BlueBlood.com. We’re very excited that issue number three of Buckle feature’s Blue Blood’s own Scar 13 on the cover. Blue Blood hotties are covergirls. The shot is by photographer Brian Bothwell who model Kerry Scarey tells me got his first magazine credit ever when I chose an image he shot of her to print in Swag magazine.
So it seems like Buckle Magazine should be of interest to Blue Blood folks. My only reservation about it, aside of course from not having seen it yet, is that I’ve seen a lot of statements online to the effect that Buckle is going to blow Marquis and Skin Two out of the water in …
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