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Archive for Posts Tagged ‘town-car’
August 8th, 2008 by Amelia G
Eddie Izzard says that G-d doesn’t love Los Angeles. Then again, he also says that he just performed in Las Vegas and Phoenix and those folks would find Hell a mild summer day. From a temperature perspective anyway. Apparently Phoenix gets jokes about squids and ink faster or possibly it is just easier to get a Phoenix audience to show appreciation aloud. Eddie Izzard performs two more nights this week in Slowsquidwritingjokesville (aka Hollywood) to finish out his Stripped tour in La-la-land.
My friend writer Maria Alexander invited me out to the sold out Eddie Izzard show at the Kodak Theatre. At least, I think it was sold out because it was insanely crowded and took me an hour to get home (once I found my car) even though I live down the street. Despite the fact that a non-Angeleno might consider my home walking distance from the Kodak Theatre, I had never been there before, although of course I’ve seen it on television like anyone else. In person, even the non-box seats are staggered in such a way that everyone gets a clear view of the stage. The ushers are courteous and helpful. The bathroom lines move almost alarmingly fast. The only oddity is that they don’t really show you the nosebleed seats on TV. The venue is like twice the size I thought it was and there are definitely seats farther away from the stage, even box seats, than might be ideal. Our seats were a bit far back, but we had a really awesome straight down the center view I enjoyed. I had to do four laps around three levels of the parking garage at Hollywood and Highland after the show because I am less organized than Maria Alexander, so I only remembered what color level I thought I was on. Turned out I did have the color right and it was just crazy hard to find a black Lincoln Town Car in a super crowded garage packed with black Lincoln Town Cars.
I love Eddie Izzard because he manages to mix being incredibly intelligent and funny, while carrying himself perfectly, and saying fuck a lot. He told the audience tonight that PR people say that response to what one says is 70% what you look like, 20% how you say it, and 10% what you say. Now, I can understand small amounts of French after hearing it exclusively for a number of hours. I can speak French (quite badly) after being immersed for three days. Yet I still laughed myself sick at a joke Eddie Izzard told on a previous tour where he told the whole thing in French. So he is a genius in the how-you-tell-it department. Nonetheless, I admit that my eyes glazed over a bit tonight when he spoke in grunts for too many minutes in a row. Then again, he also made a hypnosis reference at one point, so perhaps he was trying to make me very sleepy in that moment.
At any rate, Eddie Izzard presented his political views with humor, taught a little history as he is wont to do, distilled the nature of religion and ox coveting, and told jokes about dinosaurs. You pretty much can’t go wrong with dinosaur comedy. Well, Eddie Izzard, in his brilliance, can’t go wrong with dinosaur comedy.
The comedian came attired in a dark tailcoat with reddish magenta lining, a red striped buttoned down shirt, and some surprisingly sex blue jeans. I hope he was wearing a lot of eyeliner, but I truthfully was not close enough to be sure if he was or if, with the distance to our seats, my brain just filled that in with my personal preferences. Eddie Izzard did a little bit where he talked about people coming up to him and accusing him of not really being a transvestite. He said of all the things he never thought he would have to defend, he never thought he would have to vigorously insist that he is too a transvestite, even if he has been wearing pants a lot lately. He does play a pretty butch manly man on The Riches on FX and he does a great job of that too. I chalk that up to talent and versatility, rather than secretly not being a transvestite, especially given The Riches’ sensitive portrayal of the youngest child’s burgeoning transvestism and the trantastically fabulous party in the second season finale of the show.
All of my dyslexic pals will be pleased to know that Eddie Izzard says he is dyslexic and just memorizes his shows rather than writing them down and, from here on in, dyslexia shall be referred to as kat spelled with a k. I have a complex theory about why so many flamboyantly unusual and artistic people are dyslexic, but it is long, so I’ll save it for another time. As Eddie Izzard has nothing to prove, I’m going to assume he really is dyslexic and really is a transvestite from the heart and isn’t just claiming such things so people will think he is creative or talented.
Eddie Izzard closed out his performance talking about living on the dark side of the moon with Darth Vader, Pink Floyd and a squirrel. You really have to hear him do it because only Eddie Izzard’s performance can do it justice.
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September 25th, 2007 by Amelia G
Just in case no one picked this up from all the pinstripes and shotgun-themed photo sets on BlueBlood.com or the fact that I roll in a Lincoln Town Car:
Yes, I have a mobster fetish.
Triad Election is actually the second in a series of Hong Kong mobster from action director Johnnie To, but it is the first to be released stateside this month. It has been well-received on the festival circuit, partly for its perceived anti-commercial (or at least anti-big business) message, but the salient points of interest here are gangsters, issues of honor and competition, and lots of gunplay.
Trailer after the Read more » jump below.
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July 19th, 2006 by Amelia G
Cookie Monster was the first bad boy I ever loved. I adored his unfettered capacity for pleasure. He was deeply into consuming cookies and he didn’t care who knew it. If there were no cookies available, he would eat a cardboard circle if he had to. He would eat that cardboard circle with no shame. He was so ready for anything, he would eat the moon, if he could get to it. The scope of his desire was infinite and proud. He could see no 12 steps coming. He was Cookie Monster and he was prepared to shout his joyous desire aloud. If you baked him a flat crisp cake of sweetened dough, he would let you know how much he enjoyed it. You wouldn’t have to wonder whether he was experiencing pleasure because he would let you know about it and he didn’t care who was watching. Cookie was the kind of Monster where you had to understand he might take just as much joy from someone else’s baking. He wanted cookies and he wanted them from everyone he met. But, if you didn’t require monogamy of him, there was no one else with such contagious happy hedonism. CM’s turn as Alistair Cookie on the intellectual Monsterpiece Theater showed his smart side, but it was still his intense googley-eyed passion which inspired us all. Cookie just knew how to make people feel good. He embodied unrestrained id in its most beautiful and fulfilling form.
Sure I enjoyed the curmudgeonly insight and willingness to speak his mind exhibited by Oscar the Grouch, but it was Cookie Monster I dreamed about. It didn’t matter if he was a little heavy around the waistline. His charisma overrode all that. He made everyone around him share his sense of satiation as they marveled at the magnitude of his consumption. This was why all the girls and, let’s face it, the boys loved Cookie Monster. As time went on, he was even idolized by a new generation of entertainers such as Bart Simpson whose cowabunga catchphrase is an homage to his blue predecessor. Despite his lifestyle, or perhaps because of it, Cookie has been beloved enough to be welcome everywhere from celeb galas to the White House. He campaigned for milk, but only as something to wash cookies down with.
Somewhere there is a photo of my father in a hallway at our home in Scarsdale, New York posing like Cookie Monster to entertain me. His musician’s ear gave him the ability to do the Cookie Monster voice so well, although he wasn’t down with pigging out or the whole making crumbs thing. I have so many happy memories associated with Cookie Monster. I don’t see him as much as I used to, but TiVo lets me slip off to visit him at Sesame Street from time to time, no matter what is going on in my regular day-to-day life. He is always the same and he always makes me smile. If it is his fault that I overeat as an adult, I love him too much to care.
Some time ago, The Daily Show with Jon Stewart ran a special report about whether Cookie Monster was a bad role model for children. The show suggested that maybe children were overeating sweets because they saw their fuzzy blue hero do it. They interviewed a child chomping a large cookie. They showed one of the show’s reporters, Steven Colbert or Ed Helms I think, chasing after a Lincoln Town Car trying to get a comment from a blue figure in the back who never makes eye contact. I laughed out loud. I might have moved on to more mature relationships myself, but Cookie Monster was still a rock star, still doing it his way. No one was going to tame my Cookie or tell him what to do.
So you can well imagine my horror when I saw the recent press info. They make no mention of the Daily Show segment, but they make it clear that Cookie Monster is now being forced to promote vegetables and sing a new song called “A Cookie Is a Sometimes Food” to teach healthier living to a new set of fans. Maybe he is bowing to media scrutiny. Did he sell out because of Sesame Street’s new business partnership with Earth’s Best health foods? I like to think he wouldn’t do that, but maybe he blew all his early paychecks on baked goods and really needs the money. Maybe he got busted boosting something tasty fresh out of the oven and this is part of his community service. I just can’t see my beloved Cookie doing this willingly. McDonald’s is one of the underwriters of Sesame Street, so I feel like there is something truly insidious about curtailing Cookie Monster’s one true pleasure. How much do they really care about health if they are taking money from Mickey D’s? Something just does not add up. The Sesame Street site now showcases a game, sponsored by the letter G, which is called “Toss a Salad with Cookie Monster.”
Maybe Cookie Monster is just getting old. I guess we all age faster than we want to. As the years go by, the cookies take a greater toll. The big CM is turning 36 now. DJ Larry Levan of New York’s legendary Paradise Garage, who mixed the smash hit Cookie Monster and the Girls LP, died when he was only 38. Rock stars usually have to die at 27 if they want to be remembered at their best, but Elvis still gets painted as he was young and beautiful, snarling and full of life, ready to take on the world. I will choose to remember Cookie Monster at the height of his fame and success, as my blue hero who belted out “C is for Cookie” for the whole world to hear.
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