The most anticipated moment of the MTV Movie Awards was when they premiered the Twilight New Moon trailer for the movie which comes out in November. Taylor Lautner, whose martial arts moves in a My Own Worst Enemy scene Nixon Sixx appeared in looked aesthetically pleasing, has his shirtless appearance on camera showcased in the trailer. Twilight fan sites have been showing pictures of Robert Pattinson shirtless as well and looking quite a bit more buff and defined than I would have expected.

It kind of looks like the werewolf and the vampire have been passing around steroid precursors instead of blood, but I’m not complaining.

Perez Hilton reports in Party Like a Vampire that convention booths are insufficient to entertain Twilight fans, so the series will be getting a large convention in Dallas dedicated to Twilight. The event is, perhaps not surprisingly, called TwiCon. It features a variety of comedy troupes who create respectfully humorous Twilight spoofs and a line-up of bands, most of which are inspired by the movie, but one of which, 100 Monkeys, is notable because it includes Jackson Rathbone who plays vampire Jasper Hale in the movie and its forthcoming sequel The Twilight Saga: New Moon later this year.

Popular Twilight fanfic site Twilighted is doing a fan fiction contest as part of TwiCon with a theme of romance 100 years in the vampire future. Would it be wrong if I mentioned that the only other individual fandoms which tend to receive dedicated conventions are Star Trek and Star Wars. And Star Trek really jumpstarted the erotic slashfic type of fanfic. I’m not sure whether it is technically accurate to refer to sexy fan fiction as a genre with a series of sub-niches, but it feels kinda accurate. Maybe if Star Trek is getting a sexy modern makeover, someone needs to write some threeway erotica fanfic involving Bella and Edward and Spock. Or not.

How is it possible that a pop treacle show like American Idol can suck at disco? When collegiate-cutie-marketable-to-preteens Kris Allen did a slowed-down version of Donna Summer’s “She Works Hard for the Money”, I thought he totally owned it because Kris Allen is not a guy anyone would really see doing disco and the song was still enjoyable. I liked it the same way I liked Adam Lambert’s industrial world music take on Ring of Fire. Only, ya know, less so. Because I really really liked Adam Lambert performing “Ring of Fire” and would listen to that again repeatedly on purpose. Unfortunately, almost all the American Idol contestants tonight failed to do disco. What is the point of having a theme, if nobody does anything which really fits it?

Then again, this is a show where they inexplicably added an actual judge who can confuse Saturday Night Fever aka the movie which made disco a phenomenon with NBC’s successful comedy sketch show of the last three decades Saturday Night Live and the revered and legendary disco nightclub Studio 54 with Studio 57 aka the imaginary nightclub in her otherwise less-than-full head. (PS Dear Kara DioGuardi, the guy from Saturday Night Fever is actually John Travolta and Clark Kent is really Superman.) I understand that Kara DioGuardi is otherwise very accomplished and live television is very difficult, but I’d think American Idol judge would be as competitive a position as American Idol winner. I guess this just goes to remind us that not every American Idol winner has gone multi-platinum. Although I predict and hope the charismatic and talented Adam Lambert will.

But this evening American Idol front-runner Adam Lambert performed a molasses-slow version of “If I Can’t Have You, I Don’t Want Nobody, Baby” for the American Idol Disco Night. I think Adam Lambert radiates star quality. I thought he looked fabulous in a sharp shiny black suit and white shirt, and I could even forgive the emo-hawk because it looked so effing good on him. I thought it was both classy and savvy that he thanked American Idol associate musical producer Michael Orland for helping with the arrangement. A man who will give credit to collaborators, while bringing that much to the table, is someone everyone will want to work with, and rightly so.

It is just that I thought the arrangement and performance of “If I Can’t Have You, I Don’t Want Nobody, Baby” was both smart and cynical. I liked Adam Lambert rocking the American Idol stage, never missing a beat as he danced across the whole space, performing Steppenwolf’s “Born to Be Wild” last week. But it got lukewarm judge response. Ditto for Wild Cherry’s “Play That Funky Music” with accompanying quality gyrations. Don’t get me wrong. I loved when Adam Lambert did the very still and beautiful performance of Smokey Robinson’s “Tracks of My Tears”. But the whole alternating slow and fast performances thing just really falls flat when the theme is disco. Adam Lambert obviously has the chops to have done fantastic disco, so it just kinda sucked to see him not even take a stab at it.

Plus the song didn’t really work performed that way. In the pre-song interview with host Ryan Seacrest, Adam Lambert said he was doing the song off the Saturday Night Fever soundtrack. I had thought “If I Can’t Have You, I Don’t Want Nobody, Baby” was a straight-up Bee Gees song, but the movie Saturday Night Fever received an R rating when it came out, largely for featuring a gang-bang sex scene and one use of the word “cunt”. As a result, I was not allowed to see Saturday Night Fever as a child. I did, however, own the Bee Gees greatest hits double album. Many American Idol sites are listing “If I Can’t Have You, I Don’t Want Nobody Baby” as being by Yvonne Elliman. Although she did the first recording of the song, and her recording from the Bee Gees’ Saturday Night Fever soundtrack absolutely did become a number one single, the Bee Gees actually wrote the song and later recorded it themselves as well.

Due to the wonder of the interwebs, I am listening to the Bee Gees while I write this. But I haven’t been able to listen to the Bee Gees in a long time because I tossed their Greatest Hits album years ago in a spasm of cool. Mind you I still have Andy Gibb’s Shadow Dancing on vinyl, although I haven’t owned a record player in an equally long time. Worse yet, I possess fewer than a dozen vinyl records today. I even sold my vintage Runaways album to buy the CD version (and about a bazillion more CDs for what that was worth.) But I own two copies of Shadow Dancing because they are each scratched in different places. I thought it was gothic to like Andy Gibb because he poetically committed suicide, at a young age, over a woman, specifically actress/entrepreneur Victoria Principal. Unfortunately, Wikipedia informs me that Andy Gibb died “just five days after his 30th birthday as a result of myocarditis, an inflammation of the heart muscle due to a recent viral infection”. Some opine that Andy Gibb’s well-known prodigious drinking and cocaine usage could have contributed to myocarditis. Still dying of a broken heart; still goth. Plus, Wikipedia cites 2001 as the first release date of the Bee Gees Greatest Hits and, unless my parents shopped for me with an effing time machine, that is comedically inaccurate. 1979 would seem to be a bit more correct. The internet does inform me that Best of the Bee Gees Volume 1 was released in 1969, so maybe the Bee Gees are just immortal top 40 hit spawning vampire monsters, who can only be killed by a stake through the heart or losing the love of a good hard partying woman.

How embarrassing. I wouldn’t have thought of myself as a disco person at all. I mean, at all. So, no videos tonight, just lyrics to point out why it was unnecessary to slow it down to make the Bee Gees song sound sappy enough and Donna Summer was not talking about hookers.

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“If I Can’t Have You, I Don’t Want Nobody, Baby” lyrics by the brothers Gibb and originally sung by Yvonne Elliman:

Don’t know why
I’m survivin’ every lonely day
When there’s got to be no chance for me
My life would end
And it doesn’t matter how I cry
My tears, so far, are a waste of time
If I turn away
Am I strong enough to see it through?
Go crazy is what I will do

If I can’t have you
I don’t want nobody, baby
If I can’t have you…uh-huh-huh, oh
If I can’t have you
I don’t want nobody, baby
If I can’t have you…uh-hoh

Can’t let go and it doesn’t matter how I try
I gave it all so easily to you my love
To dreams that never will come true
Am I strong enough to see it through?
Go crazy is what I will do

If I can’t have you
I don’t want nobody, baby
If I can’t have you…uh-huh, oh
If I can’t have you
I don’t want nobody, baby
If I can’t have you…uh-hoh

If I can’t have you
I don’t want nobody, baby
If I can’t have you…uh-huh, oh
If I can’t have you
I don’t want nobody, baby
If I can’t have you…uh-hoh

Oh! If I can’t have you…

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Okay, I guess it is debatable and maybe “She Works Hard for the Money” is a song about prostitution, after all, so check out the words for yourself and tell me what you think. “She Works Hard for the Money” lyrics by Donna Summer and Michael Omartian and originally sung by Donna Summer:

She works hard for the money
So hard for it honey
She works hard for the money
So you better treat her right

She works hard for the money
So hard for it honey
She works hard for the money
So you better treat her right

Onetta there in the corner stand
And wonders where she is and
Its strange to her
Some people seem to have everything

Nine a.m. on the hour hand
And shes waiting for the bell
And shes looking real pretty
Just wait for her clientele

She works hard for the money
So hard for it honey
She works hard for the money
So you better treat her right

She works hard for the money
So hard for it honey
She works hard for the money
So you better treat her right

Twenty five years have
Come and gone
And she seen a lot of tears
Of the ones who come in
They really seem to need her there

Its a sacrifice working day to day
For little money just tips for pay
But its worth it all
Just to hear them say that they care

She works hard for the money
So hard for it honey
She works hard for the money
So you better treat her right

She already knows
Shes seen her bad times
She already knows
These are the good times

Shell never sell out
She never will
Not for a dollar bill
She works hard

She works hard for the money
So hard for it honey
She works hard for the money
So you better treat her right

She works hard for the money
So hard for it honey
She works hard for the money
So you better treat her right

She works hard for the money
So hard for it honey
She works hard for the money
So you better treat her right

So Linda Holmes of MSNBC just posted an article where she called FOX’s American Idol front-runner Adam Lambert “self-indulgent and not particularly creative”. I know FOX and MSNBC are competitive with one another, but I just think Linda Holmes is way off-base. She goes on to say:

“But what, exactly, is the Adam Lambert constituency of the future? He would be popular with fans of … what? The judges seem to think that the answer is “Twilight,” but what kind of sense does that really make? . . . But before anyone goes anointing him some kind of highly marketable future star, take another look at that performance of “Ring Of Fire,” and ask yourself whether you’d hear that on the radio.”

First off, I feel like Twilight and Adam Lambert are two of the only major mainstream pop culture phenomenons of the new millennium which actually are made for an incredibly underserved demographic. When I look for Blue Blood appropriate subject matter which is new, Twilight and Adam Lambert are two of the only things on the radar there. The Twilight soundtrack has been in the Billboard top 10 for twenty-two weeks now. Carter Burwell’s freaking score for Twilight entered the Billboard charts five weeks ago and is still hanging in there. So, if MSNBC doesn’t see the relation between Adam Lambert and Twilight and what a lot of people would like to be entertained by, they need new pop culture analysts. (I’m expensive, but I invite them to get in touch.) American Idol winners also hold multiple spots in the current Billboard top 100 with Kelly Clarkson, David Cook, and Carrie Underwood all charting. So American Idol fans do buy music.

Secondly, turn on the radio or MTV and listen to the most recent Trent Reznor Nine Inch Nails or Marilyn Manson David Bowie or Ministry or Combichrist or VNV Nation or Depeche Mode or Godhead or KMFDM or Marc Almond or Sisters or Mercy. Oh wait. You can’t. If you like either a goth-industrial and/or glam sound or a goth-industrial and/or glam look, you probably still don’t know which of those acts have new albums out. Because radio is not playing them. Yet many of those artists still movie significant units without radio airplay or MTV support.

Yet the MSNBC writer goes on to say:

“For all the discussion of Adam’s originality and freshness and relevance, his aesthetic is an inky-haired, nail-polished cliché — perhaps appealing and perhaps not, but certainly nothing you couldn’t see in New York, Seattle, or, for that matter, Akron. The sulky glower, the whimper-face, the moaning, the Sad Elvis sneer … there’s nothing wrong with it, per se, but to praise it as particularly creative screams, “I do not watch MTV.””

Does Linda Holmes watch MTV? I love music videos and I get multiple MTV channels, Music Choice downloads, and FUSE. And I’ve been publishing work with a dark glam gothic vampiric aesthetic for more than sixteen years and doing rock journalism, including covering the 80’s glam scene for a bunch of years on top of that. So I feel pretty qualified to say that MTV has very little to offer those who like inky-haired and nail-polished men. In point of fact, I must sorrowfully admit that the only options for that general taste are Fall Out Boy, My Chemical Romance, and Rev Theory. Maybe Good Charlotte and Avenged Sevenfold if any of the video channels were currently playing them, which they are not. I would also include Queens of the Stone Age based on musical talent and approach. And that is about it. Not that the music and merch sales there are poor.

I don’t have an iTunes account at the moment, so I can’t confirm this, but I hear that Adam Lambert’s performance of the Tears for Fears song “Mad World” was a top download. The voting on American Idol this year breaks a new record every episode. And both Vegas bet-makers and internet data analysts are pretty sure Adam Lambert is going to win American Idol this year. So somebody is interested in Adam Lambert, beyond the average American Idol audience.

I didn’t really have a lot to say about Adam Lambert’s performance of “Mad World” last week on American Idol, but, in light of today’s MSNBC article, I’m going to comment on it now. The show ran a bit overtime, but I always set my TiVo to record a few minutes extra at the end of live shows like sporting events and at the end of shows on networks like Comedy Central, Showtime, HBO, and NBC who have trouble telling time. So, unlike a few million Americans whose TiVos were not set for extra time, I saw Adam Lambert’s stripped down “Mad World”. He did the song bathed in blue light, without costuming, and with very little motion, and it came off powerful. Personally, I like guyliner and swivel hips, but I understand entirely why sometimes it is necessary to demonstrate that the eyeliner and pelvic moves are sizzle on an excellent steak. Otherwise, a genuinely talented performer who employs costume and drama can be dismissed as all sizzle.

The “Mad World” ode to teenage depression and alienation was originally written and recorded by Tears for Fears in 1982. That’s a bit before my time, but I was still a bit surprised that I had not recognized it when Adam Lambert performed it. Apparently, the version he sang was one redone for the Donnie Darko movie. I’ve never seen Donnie Darko, but I understand it is an aesthetically pleasing and depressing update of the James Stewart vehicle Harvey. (Not really, but they both have big rabbit phookas advising the main character.) I’m entertained that Richard Kelly, the writer/director of Donnie Darko, is one of the producers for the upcoming Tucker Max movie, I Hope They Serve Beer in Hell. (If only Tucker Max wore eyeliner.) At any rate, Richard Kelly had wanted to use a U2 song for the closing credits, but U2 were too pricey to license, so he had a gent named Gary Jules cover the Tears for Fears song instead, in order to stay within budget. The spare and emotional Gary Jules version turned out to be very popular and successful and has been used in a number of sountracks since.

So technically, Adam Lambert was supposed to perform a song on American Idol from the year he was born, 1982, but he kinda sang a song from 2001ish when Donnie Darko was released. But it did sound and look nice. Tears for Fears bassist Curt Smith who sang the original synthpop version of “Mad World” tweeted on his Twitter:

“Morning tweeps, still spring break in the Smith household. Ton of twits and e’s about Adam Lambert’s Mad World, for the record I thought his vocal performance was pretty great bar a wobbly last note. Sobering that the original was released year he was born. I must officially be an old man ;)”

I guess Curt Smith did tweet from TweetDeck, instead of Spaz, which is what all the cool kids are using, but still:

From MTV, Tears for Fears “Mad World” lyrics by Roland Orzabal and originally sung by Curt Smith:

All around me are familiar faces
Worn out places, worn out faces
Bright and early for their daily races
Going nowhere, going nowhere
And their tears are filling up their glasses
No expression, no expression
Hide my head I want to drown my sorrow

No tomorrow, no tomorrow
And I find it kind of funny
I find it kind of sad
The dreams in which I’m dying
Are the best I’ve ever had
I find it hard to tell you
Cause I find it hard to take
When people run in circles
It is a very, very

Mad world
Children waiting for the day they feel good
Happy birthday, happy birthday
Made to feel the way that every child should
Sit and listen, sit and listen
Went to school and I was very nervous
No one knew me, no one knew me
Hello teacher tell me what is my lesson
Look right through me, look right through me

Twilight is out on DVD this week and, if you enjoy the tropes of cool sexy vampires, then Twilight is a fun watch. If you were just wondering whether or not to catch it on DVD or On Demand, then all you really need to know is that the movie has a pleasing cold color palette, nice-looking cast, interesting styling, creative quality directing, and a solid storyline with no plot holes and a satisfying ending. If vampires or lack of promiscuity or overwrought sexuality fill you with rage, then pass on Twilight, but otherwise it is enjoyable and hotter than I would have expected.

I admit that I would have enjoyed Twilight most between the ages of fourteen and fourteen. Yes, I know I said fourteen twice, but the target demographic for the movie is pretty specific. Realistically, the Twilight movie is probably aimed at girls aged twelve to nineteen, but it is just well enough done that it reaches beyond its core target demo. Not to put too fine a point on it, I think one of the reasons that vampires are so alluring to teen girls is that they are dangerously seductive, but they don’t put out particularly often. There is the aura of sexual excitement without the necessity to know precisely what to do with someone else’s private parts.

I wrote my thesis on Cross-cultural and Historical Vampire Legends as a Paradigm for Aggressive Human Sexuality. Keep in mind that I left home to go to school as a young jailbait teen. I found it startling that, all of a sudden, there were people around me who had this attitude that it was normal to have actual sex sex sexual intercourse with anyone they hooked up with. I was more of a go-getter than my peers in terms of acquiring the partners I wanted, but, even once I was entirely ready to have sex, I never got to the point where I wanted to have it immediately with someone I dated and I never got to the point where I wanted to have it with everyone I remotely liked. (This is inconvenient today, given that the circles I travel in include many people who treat fucking like a handshake i.e. a casual social interaction it is extremely rude and maybe even hostile to reject.) Heading off to university at sweet sixteen and being all hormonally hopped up, I was probably considered a bit of a menace to the people around me.

One of the aspects of Twilight which I think makes many adults respond in a viscerally negative way is its accurate portrayal of teenage female sexuality. I was more sure of what I did and did not want than the average teen, but sometimes the responsibility falls on the shoulders of the 100 plus year old vampire to say it is better to wait. One of the nicest scenes in the movie features Kristen Stewart’s Bella Swan and Robert Pattinson’s Edward Cullen making out in her bedroom. He pulls back saying he mustn’t lose control with her. She convinces him not to leave and they sit and talk and have an actual (if you will forgive the word choice) human interaction instead of just progressing to more physical intimacy.

Nonetheless, it is uncomfortable to realize that there are giant media corporations marketing sex to teenage girls. In the kickass opening episode for season 13 of South Park, episode 1311 “The Ring” brings up this issue to very comic effect. In particular, the Trey Parker-voiced Mr. Mouse who heads up Disney had me laughing out loud when he had to fly into Colorado to do damage control when the Jonas Brothers want to take off their purity rings. For those of you who, like me, had been blissfully unaware of the purity ring fad, the idea is to sell sexually stimulating media to young teens and then also sell them purity rings which are jewelry they can wear to remind themselves to be pure of heart and abstain from sex until marriage. In “The Ring”, when the Jonas Brothers want to take off their purity rings and make what they do just about their *cough* music, Mr. Mouse breaks it down for them, “You have to wear the purity rings because that’s how we can sell sex to little girls, ha, ha. See, if we make the posters with little girls reaching for your junk, then you have to wear purity rings or else Disney company looks baaaaaaaaad, ha, ha.” One of the many reasons the original Blue Blood magazine in print featured only real life couples doing what they would actually do on purpose in real life is that I think relationships are a good and desirable part of human sexual interaction. I hope there is some middle ground between romance-loathing, anti-relationship, indiscriminate swinging and the side-splittingly ridiculous drivel spewed on sites trying to sell teens cheap jewelry to be pure. So far my favorite comedy routine on a purity ring site is entitled, “The unimaginable consequences of Sexting”. Did I mention I’d love to see some common sense become more common?

Returning to the vampire motif in Twilight, why is this movie loathed by so many people who love them some True Blood, Interview with the Vampire, The Hunger, Near Dark, Lost Boys, and just about every other cinematic vampire ever created? South Park knows what is up once again. The brilliant season 12 finale of South Park, episode 1214 “The Ungroundable“, spoofed the pain of outsiders not being able to tell the difference between “goths” and “vampires”. I admit to knowing pretty much nobody, regardless of their actual subculture allegiance or tastes, who would claim self-described to be a goth or vampire, but South Park really did illustrate the issue there.

How does one react when something which felt like it was for you and your community suddenly become for other people? If a band you love becomes popular, do you stop listening to it when too many of its fans are people you feel could not understand the band’s message? Or say, if, for example, you and your friends have been having fabulous parties, reading obscure books, listening to obscure music, having creative sex, dressing flamboyantly, and producing media of your exploits, what do you do when a bunch of people with very different values start aping everything you do? Do you change and develop new interests or reject your own past? Do you reject the trendier portions of what is new? Do you examine which new media appears intended to destroy your culture and which new media is essentially a neighboring and perhaps friendly country?

The South Park answer is to burn Hot Topic down. Without inciting to riot, I’m comfortable with a rejection of Hot Topic because it seeks to destroy the very culture it serves; Hot Topic seeks to make the whole notion of enjoying gothic anything into some sort of teen fad that everyone is supposed to grow out of. Twilight just happens to be a teen fad and not one which its fans will necessarily all grow out of. Perhaps Twilight encourages abstinence, selectivity, or merely taking it slow, but I have trouble finding fault there, especially given the target demographic of teenage girls. I have not yet read the books by Stephenie Moyer which the Twilight movie is based on, but I do not believe that she or screenwriter Melissa Rosenberg from Dexter and The O.C. were trying to come up with a storyline which attacked gothic culture in general. (I reserve judgment until I’ve read the books and learned more about them.) I do not think director Catherine Hardwicke, whose previous directing credits include the controversial Thirteen, is hoping that having more people get into the whole vampire thing is going to be awesome for getting rid of gothic subculture. Prior to directing the edgy Thirteen, Catherine Hardwicke was primarily a production designer who worked on films from Tapeheads to Tank Girl. No surprise then that Twilight has such lovely aesthetics.

To recap:

– Twilight is entertaining if you like vampires.
– Teen girls do have discomfitting sexuality.
– Vampires are sexy, doubly so to teen girls.
– Purity rings are laughable, but abstinence and selectivity are not bad.
– South Park is sometimes very funny.
– Hot Topic sucks, seeking to make gothic culture juvenile and disempowered.
– Twilight invites everyone to enjoy a darker aesthetic.
– Twilight is out on DVD and On Demand now.

I’ll get back to y’all at such time as I develop a more complex opinion of Twilight.

Alan Ball’s True Blood on HBO is moving along at a brisk clip. (If you haven’t viewed through episode 109, you may want to stop reading here.) Episodes 108 and 109 really highlighted the theme of who is really the hunted in Charlaine Harris’ world of vampires who have come out of the coffin.

We’ve learned that human beings can get high on vampire blood or V. We also learn that, while vampires can drink the synthetic blood substitute Tru Blood, nothing is enjoyable quite like the real thing. So there are plenty of small-minded folks in the True Blood world who fear vampires because they could hunt them and feed off of them, even if they are not doing so. Yet there are also reasons for humans to hunt vampires, although again most do not do so. Time to look in a mirror to figure out who is the hunted and who is the hunter.

Some vampires, such as the jaded 1,000-year-old nightclub impresario Eric, played by Alexander Skarsgard, are annoyed by the whole vampire pride and vampire rights amendment thing. They are satisfied with their position in society and are perfectly happy to exercise their power from the shadows. There is a scene where the human leading lady Sookie Stackhouse, played by Anna Paquin, is kissing vampire leading man Bill Compton, played by Stephen Moyer, and their chemistry is notable. Eric’s most trusted retainer turns to him and says that if she still had feelings, she would be moved by this public display of affection. Eric replies, in the most bored voice imaginable, that he wouldn’t.

The best culture clash in the most recent two episodes is where Sookie’s best friend Tara Thornton, played by Rutina Wesley, turns to her alcoholic and possibly formerly possessed mother and her friend, who are all decked out for church, and points out that putting on a ridiculous hat and going to church isn’t going to make them better or happier than Tara. I personally kinda like the jelly bean colored Southern church-going style of hats, but I don’t really have a hat-shaped kind of head. My skull and hair are generally wrong for most hats I’ve tried on, although I always welcome hat source suggestions.

I’m looking forward to tomorrow’s episode of True Blood. There is going to be a vampire tribunal, presided over by a vampire elder played by Zeljko Ivanek. Zeljko Ivanek is perhaps best known for his portrayals of Governor James Devlin on Oz and of the driven prosecuting attorney Ed Danvers in Homicide: Life on the Street. The Ed Danvers character was so popular that he was brought in as a crossover character in a number of episodes of Law & Order, even after Homicide was canceled. Zeljko Ivanek has actually done a lot of political and legal acting roles over his long career, so I think he will be very entertaining as a vampiric judge who gets to decide when it is or is not all right to kill.

Given the huge ad campaign HBO’s True Blood ran just about everywhere, including this site, you have probably heard that there is a new vampire show of some sort on cable television. I actually had planned to do a feature article about the brilliant ad campaign for the show, but it was one of those times when pesky life gets in the way of writing. True Blood had some damn sexy billboards, posters, and bus adverts and, of course, banners on targeted sites like Blue Blood, and some sort of sweepstakes. The show takes place in a world where vampires have “come out of the coffin” and are looking for equal rights, opposed by the expected fundamentalists, and assisted by a mysterious Japanese company which has produced a synthetic blood substitute called Tru Blood. We’ve actually still got some great background videos explaining the setting of True Blood which I’ll see about posting after the hectic rush of Halloween is past.

But the really cool thing about True Blood is that the storylines are character-driven, the themes are righteous, the sex is in-your-face varied, and the lighting and cinematography are really beautiful. The series was developed by Alan Ball, award-winning writer of American Beauty and creator of Six Feet Under, based on the Charlaine Harris Southern Vampire Mysteries. The sort of focus character is the telepathic Sookie Stackhouse played by a perky yet strong Anna Paquin, the Oscar-winner best known to dorkdom for her recurring role as Rogue in the X-Men movies. Her character would probably come across as more feisty if not for her balls-to-the-wall best friend Tara Thornton, played by powerful newcomer Rutina Wesley. I don’t know where they found Rutina Wesley, but I love everything from the way her arms are just a little butch to the way she embodies the character cussing everyone out, both when needed and when not needed. Brother Jason Stackhouse is played by Ryan Kwanten. Sookie’s romantic leading man is played by Stephen Moyer. I normally wouldn’t mention someone’s personal life, but, whether it is out there for PR or privacy invasion, the gossip blogs are abuzz with reports that Stephen Moyer and Anna Paquin are real life lovers, which may account for their incredible smoking hot on-screen chemistry for Sookie and Bill the vampire. In theory, I guess the audience is supposed to wonder whether Sookie will end up with Sam Merlotte, the owner of Merlotte’s the bar where she waitresses. Some people in the fictional Louisiana town Merlotte’s is in might find the guy suspect because he is from elsewhere and has a hint of the supernatural about him. Maybe part of the reason I personally instinctively don’t like the character is that the only other thing I ever saw the actor Sam Trammell, who plays Sam Merlotte, do on camera was get murdered by serial killer Dexter Morgan on Showtime’s Dexter. But really I’m bugged by someone’s boss at their regular all-the-time job hitting on them aggressively. I know they may not enforce anti sexual harassment laws that well in the South, but, ew, so not hot. The characters who inhabit True Blood’s Bon Temps are plentiful, deepy realized, and very interconnected, so I won’t list every single one, but there are two hot boys I can’t go without mentioning. The first is camboy/hooker/drug dealer/short order cook Lafayette Reynolds, played with gusto by Nelsan Ellis who hadn’t been in a whole lot of things before, but is jump-off-the-screen charismatic in this show. The second is Viking/nightclub impresario vampire Eric Northman, played by Alexander Skarsgård, fresh off his textured starring role on HBO’s Generation Kill.

I realize that a high percentage of the Blue Blood audience has been watching True Blood all along, what with the whole vampires, sex, kink, gothic punk, clubland and bar nightlife, and both disenfranchised and entitled weirdos thing in common. But, if you haven’t treated yourself yet, all previously-aired episodes are now available via On Demand. Incidentally, True Blood showcases a variety of different moods and types of sexuality, manages to shoot each sex scene a bit different from the last, makes the sexuality feel consistent with what each specific character would be into, and is so hot that even a professional can’t tell whether some of the actors are actually having full-on real sex or not. When the acting and styling is that good, the point of insertion is just a footnote in my opinion. So, uhm, yeah, True Blood is pretty much my favorite new show this year.

This week, True Blood kicked it up another notch with a guest starring turn from Stephen Root, of Office Space fame, playing the lonely dork vampire who lives for Monday nights when he watches Heroes and then trades his blood for hot gay hooker sex with Lafayette. Plenty more grisly human nature ensues and let’s just say we definitely can’t wait until next week to see what happens to his stapler.

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Squishable
A couple years ago Zoe and Aaron were backpacking around Southeast Asia doing some volunteering and being bums. They ran into their first fat, fuzzy piggy in Hong Kong and bought it as a tribute to gothic comic book artist Jhonen Vasquez. When they got back to the United States, their huggable pig was immediately kidnapped by rabid fans. And so the Squishable company was born. Their stuffed octopus just wants to be friends, so we’ve got their extra-friendly alligator for one lucky winner.

Lost Boys 2 The Tribe
The movie Lost Boys 2: The Tribe is out on DVD this week. Somewhere between a sequel and an homage to the original 1987 Lost Boys movie where Kiefer Sutherland’s character led a band of vampires, his half brother Angus Sutherland takes up the vamp responsibilities this time around and the flick features references to and cameos from many of the characters from the original. The piping hot fresh DVD has one of those nifty multi-picture hologram covers, a featurette about the movie’s stunts, alternate endings, and music videos.

Blue Blood Boutique
The Blue Blood Boutique features a growing variety of Blue Blood branded swag, including plush hoodies, high quality pins, and large waterproof stickers. The primary hoodie designs were conceptualized by Blue Blood art director Forrest Black. Forrest tapped longtime Blue Blood contributor Ed Mironiuk for the store launch to do a redesign on the traditional Blue Blood royal skull. Previous Blue Blood swag has featured work by James O’Barr, Trevor Brown, Slash, Jeb Huffman, and of course yours truly and Forrest Black. Perfect attire for all your club-hopping, con touring, coffeehouse lounging, and before and after sex needs.

Contest rules and prize details after the jump below.

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I am sad to report that special effects pioneer Stan Winston passed away yesterday, after a long struggle with multiple myeloma cancer. He was only sixty-two-years-old. Stan Winston is like nine of the top ten names in special fx that people into them tend to know. The other name is Tom Savini, known best for his active participation in fandom and willingness to share his knowledge from doing makeup effects on projects including Friday the 13th, Day of the Dead, and Killing Zoe. Stan Winston really was larger than life in a way where all comparisons have to fall short. He won Oscars for Best Effects Visual Effects on Jurassic Park, Terminator 2: Judgment Day, and Aliens. His work spanned the gamut from makeup to general special fx to the creature creation he was best known for. Not having been a reader of the comic book and being a fan of Keanu Reeves, I might be the only person in America who thought the look of the makeup and animatronics (and everything else) in Constantine was awesome, but it really was impressive. If the characters in a movie had innovative and fantastical design in the last couple decades, odds were good it was a Stan Winston joint. From Edward Scissorhands to John Carpenter’s The Thing, from Predator to Tank Girl, from Dracula’s Dog to Interview with the Vampire: The Vampire Chronicles, Stan Winston was the man. When the hilarious Galaxy Quest wanted to do it right, they tapped Stan Winston. Now of course, Stan Winston did not attach every eyelash and fang personally, but he was one of the founders of a quadruple threat empire with studios for live action character effects, digital animation and enhancement, producing and directing, and even an action figures and comics division. You can see some of the product of this genius in Ironman in theatres now.

I just did a shoot on Hollywood Boulevard’s Walk of Fame this past weekend and I was struck by the extent to which I didn’t recognize the names of so many of the accomplished people memorialized there. Stan Winston got his star in 2001 and I hope people remember him for a long time, whether or not they are wandering along Hollywood Blvd. Rest in peace.

As I rode back from the airport yesterday, my car passed a bevy of Blue Blood hotties including Roxy Contin and others, all decked out and waving Doomsday signs. This reminded me that I wanted to tell you all about the upcoming flick. (These two things are related; they were promoting the movie, not predicting the end of the world in their underwear.)

Doomsday is a movie of a dystopian future. In a present day United Kingdom, a fatal viral epidemic has broken out, so a portion is walled off to quarantine the infected. Fast forward 25 years in the future and the disease appears again outside the quarantined zone. The authorities realize that there are still people living within those walls, so they dispatch a hot chick to go see if she can find a cure. The hot cure-hunting chick is played by Rhona Mitra whose accomplishments off the silver screen include being expelled from boarding school and booth babe appearances as Lara Croft at trade shows. I actually thought she was Kate Beckinsdale when I first viewed the trailers for Doomsday and apparently I’d make a good casting director because she is starring in the upcoming Underworld: Rise of the Lycans vampire movie.

At any rate, once inside the walls of the quarantined city, Rhona Mitra’s Eden Sinclair has to go up against an army of citizens who appear to be rather justifiably pissed off about being walled off and then asked for help. The inhabitants of the walled city include a forceful Malcolm McDowell playing a character named Kane and the Golden Rule seems to indicate to me that the outside world doesn’t really deserve a lot of help. The preview images and videos show some very appealing Mad Max or perhaps dark gothic Burning Man style. The action looks like it is going to be compelling. I really like the overall aesthetic achieved by talented writer/director Neil Marshall, best known for the psychological horror of his spelunking movie Descent and also critically-acclaimed for his wereworld film Dog Soldiers. I am looking forward to Doomsday and hope it does not end up having the message that the overculture can legitimately exploit the counterculture for anything it likes, including being lab rats for viral vaccine research. Does mankind have an expiration date?