
Originally Posted by
Mindgames
There is indeed a deep lack of love for the miniseries format, but it wasn't entirely a voluntary decision. Torchwood COTE was offered a move from BBC2 to BBC1 prime time, but with the schedulers calling the shots. Gift horse, yadda yadda.
It was the first time an extended script could be chanced (given there's no movie yet... ahem...), so it'll always end up being different and disliked by fans used to episodic framing, but risking cliche for a second, "ratings were very positive" - on BBC2 we had 3.1m averages, for the miniseries we had 5.9m. Given the way the BBC is funded, securing commission is not the same populist rat-race as for a commercial channel, but it's still very dependent on numbers, and it's far easier to sell a week-long miniseries than a 10-week regular slot, as if it bombs you don't need to pull it.
The problem with minor characters is that they work because they're minor - nobody ever cared who Mr Sulu's momma was, or if BA Baracas could cook. Run a 4-hour script with almost linear 3-parter dialog and you end up having to use people for stuff just because they're not picking concrete out their pubes. Personally I agree some of the changes in characterization were a bit offbeat, but some of that was a little enforced by circumstances (Gwen being pregnant IRL, some cast wanting to move on, etc).
As to the idea the reaction was a "British" thing, bear in mind who the medal-encrusted guy in charge was, and what the choice involved. It's fine to say we'll stand up to the occasional bomb, as you're mostly still there to stand up to it. In COTE the alternative was specifically chosen to be a null option - everyone on the planet being killed - kinda pointless to choose that as a moral position, don'tcha think?
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