What did you guys do today?
Me, I went down to the Sabian garage sale in Massachussetts. Huge drive, but worth it. In addition to 60% off retail, they had some prototype cymbals they were selling off.
I *******LOVE******** prototype cymbals.
Drum geekery: to me, drum quality is important - but let's face it, a tom-tom is a tom-tom. You can play it soft or hard, at the edges or in the middle, put different heads on it, but fundamentally, the sound you get is "bom".
Cymbals on the other hand: it is phenomenal what you do with brass. Depending on the weight and the shape, the lathing and the materials - you either get a gong, a chime, a bell, a crash, a splash, or a ride cymbal. In other words, there's hella SHITLOADS of tone colors you can get with cymbals. When Avedis Zildjian figured out how to make a brass alloy that didn't sound like someone smacking a cookie sheet, it made a very very musical instrument possible. You get everything from "splish" to "bash" to "ping" to "gong".
And Sabian were saying "okay, for whatever reason, we're not gonna make these, but they were fun experiments."
I have four prototype cymbals. This means I have four cymbals that nobody else has or will ever have.
Like the sound of my Sabian 18" vault crash? No problem. Go to Guitar Center and get you one. Do you like the sound of my rust-colored, unlathed Paiste jazz ride? You're shit out of luck. I have the only one.
Today I found two cymbals I had to have. One was a splash-sized, half-china half-gong, lathed and hand hammered cymbal that makes the most interesting sound when hit. It starts with a splashy wash, and then morphs through a gonging note into a buzzing hum, kind of like a tuning fork, but the cymbal version.
The other is a bell (think just the cup part of a cymbal) with a red cunt hair sized rusty halo of unlathed brass.
The resulting sound is literally a cross between a chime and a bell. Think tinggggggggg, but with a warm projection. While I was auditioning this for myself, everyone was smashing various crashes and rides around me, but some dude across the room perked up and went "what the fuck WAS that?"
Made a point of coming over and telling me that he heard every tonal color of that hit across the room.
I also bought a really really heavy, really sonorous pinging 22" ride that cost me $20. It was made of a nickel/silver alloy and sounds like it came straight out of a Led Zeppelin recording. I stole that motherfucker, but there were a few there. If you were in MA, you could have bought one too.
On the way back I realised I was passing the Zildjian factory and pulled off the highway. Met a lovely middle aged lady who took my picture next to a montage of cymbals in progress, and let me see Ringo Starr's kit along with other cymbal paraphernalia, including an award the company won in the 1800s. Seeing a letter from Gene Krupa, and a handwritten one by Louie Bellson, made my day.
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