by Amelia G : July 8th, 2007
The incredibly mild fame conferred by being on a reality show opens a person up for so much unpleasantness and, as near as I can ascertain, being on the show itself is a bummer. I know I used to be pretty responsive when television shows wanted to cover Blue Blood. I turned down Jenny Jones and all the talk show scum who asked me to tell everyone I was, like, totally a vampire and gawth is like, oh my goth, my life. But, even when I didn’t have cable or a TV with reception, Forrest Black and I both appeared on MTV, HBO, and FOX multiple times. I don’t know if it helps sales, but, as a journalist myself, I am reluctant to refuse someone access. At least I used to be. Now I regularly turn down television show producers who tell me how much they want to give Blue Blood exposure or how they plan to present a “positive spin” on my community. I used to believe some of the promises television people made, especially when I wrote them into our appearance contracts. I used to feel like being asked to appear on a show as an expert was a compliment. In a time when people have fleeting brushes with fame for defecating on Flavor Flav’s floor . . . well, who wants to be famous?
In my article Flavor Flav Has Hot Tub Love on VH1 but Ladies Best Be Nice Girls (who like threesomes) last year, I covered Flava Flav’s apparently hypocritical casting aside of Toastee, one of his supposed suitor chicks. For those just tuning in now, another supposed contestant on the show ratted Toastee out for appearing in Barely Legal and …
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by Amelia G : October 29th, 2006
I see it as, not only a given, but maybe even a goal that things I enjoy in a fringe environment will be picked up by the larger society. The problems come when the overculture, in the process of co-opting something cool, tries to destroy the naturally existing subculture and the people most dedicated to that culture, in order to replace it all with something more easily managed and controlled. The problems come when the marketing shifts from spin to bald-faced lies. The problems come when no one appreciates art without a backstory and the market becomes used to the perfection of fake backstory. It seems like modern press is often more comfortable presenting a tidy and wholly false PR tall tale than presenting something real and true. Part of the reason for this is that modern audiences are often more comfortable reading tidy and wholly false PR tall tales. Real life tends to be more complicated and harder to get your head around.
I could like Avril Lavigne if she were presented as essentially a cute blonde actress in a larger movie. Instead, her managers insult everyone’s intelligence by getting a stylist to put Avril in a Guns N’ Roses T-shirt and having her publicist tell the world the actress is inspired by David Bowie (but neglecting to tell the girl playing the precocious punk songstress role that Bowie does not rhyme with Maui.) Just try and find music magazine press presenting anything remotely true about the teamwork creation of Avril Lavigne. I don’t know if the magazines fear lack of access to stars their audiences want to read about or if they fear legal reprisals or if it is all just some sort of gentlemen’s agreement, but certain specific pieces of truth have more trouble getting out there as …
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